torpedo the ark

  Claude Lalanne's L'Homme à tête de chou , as featured on  the cover of  Serge Gainsbourg's 1976 album of the same title      ...

Figs. 1 and 2: details from the poster for The Silence of the Lambs (1991) Fig. 3: In Voluptas Mors (1951) by Salvador Dalí (in collaborat...

  Although we might trace the history of the photo booth back to the late 19th-century, I think it's fair to say that what most people...

  Sartre and the Lobsters by Dan Meth tumblr.com     I.    Usually, when one thinks of the lobster and its role within the cultural imagin...

Le veston aphrodisiaque (1936) © Salvador Dalí / Fundació Gala-Salvador Dalí As I pointed out in a sister post to this one, th...

Horace Roye: Tomorrow's Crucifixion (1938) Images of a crucified figure have a long history; one that it may surprise some read...

Congo and one of his more mature works Everyone knows that monkeys make great copyists. We even have a verb in English, to ape , m...

Dr Louzou: Maldoror et le requin femelle (2008)  obscur_echange.livejournal.com I. I don't know if the erotic fascination wi...

Lobster evening dress by Elsa Schiaparelli in collaboration with Salvador  Dalí Michael Richards as Cosmo Kramer in Seinfeld  wearing ...

Salvador Dalí: The Enigma of Hitler  (1939) Oil on canvas (95 x 141 cm) Museo Nacional Centro de Arte Reina Sofia I. A lot ...

You can tell a lot about a man by his moustache ... I. One of the things I like about Salvador Dalí is that, like Bataille, he rea...

Still from a promotional video for Dalí Lives (2019) © Salvador Dali Museum, Inc., St. Petersburg, FL. If someday I die, though ...

Two Sunday Sketches by the brilliant German illustrator  and graphic designer Christoph Niemann Members of the kinky community ...

Heide Hatry III. The Truth of Masks I don't want to appear dim, but I'm not sure I understand this opening sentence from yo...

André Masson: Mannequin (1938) Photo by Raoul Ubac (gelatin silver print) The Cleveland Museum of Art   If you love Love, yo...