Jennifer Lopez: screenshot from the video (dir. Francis Lawrence)
for the single Jenny from the Block ft. Jadakiss and Styles, (Epic, 2002)
I.
This morning, I heard for the first time in years a song regarded by some as a pop classic from the early part of this century; a statement of intent by Jennifer Lopez to stay real and remain true to her humble (Hispanic) origins in The Bronx, despite the phenomenal levels of fame and fortune earned as an actress, singer, dancer, designer, etc.
As Miss Lopez puts it herself:
Don't be fooled by the rocks that I got
I'm still, I'm still Jenny from the block
Used to have a little, now I have a lot
No matter where I go, I know where I came from
This question of not selling out or being changed by success - of staying grounded and not becoming a fraud or phoney - is always an interesting one; both as a political question of class and as a moral question concerned with authenticity and integrity.
II.
One of the (many) advantages of coming from a liberal, middle class background is that one is encouraged to grow and develop as an individual (if within certain parameters).
It's a culture, above all else, of ambition and aspiration; one hopes to succeed and expects to do well and there's no stigma attached to this. You're free to get ahead and you can become who you are without forever having to express love and loyalty to your past, your neighbourhood, or to people one no longer has anything in common with. In fact, you can learn to hate your friends in all good conscience (Nietzsche was mistaken to think this noble, it's very much a bourgeois characteristic).
This might make you a complete cunt in the eyes of those who do value loyalty and understand their own identity in fixed and permanent relation to others of their kind, but that probably won't be something you'll lose too much sleep over.
For only those who don't come from a middle-class background are obliged to apologise for being successful or endlessly justify a new or alternative lifestyle; only they are peer-pressured into keeping it real and never allowed to change, even when they look, think, and feel very differently and move in radically wider circles than those into which they were born.
I understand why J. Lo recorded this track. But Jenny from the block is, actually, a deeply depressing song that reinforces the pernicious saying: You can take the X out of the Y but you can't take the Y out of the X.
It's a culture, above all else, of ambition and aspiration; one hopes to succeed and expects to do well and there's no stigma attached to this. You're free to get ahead and you can become who you are without forever having to express love and loyalty to your past, your neighbourhood, or to people one no longer has anything in common with. In fact, you can learn to hate your friends in all good conscience (Nietzsche was mistaken to think this noble, it's very much a bourgeois characteristic).
This might make you a complete cunt in the eyes of those who do value loyalty and understand their own identity in fixed and permanent relation to others of their kind, but that probably won't be something you'll lose too much sleep over.
For only those who don't come from a middle-class background are obliged to apologise for being successful or endlessly justify a new or alternative lifestyle; only they are peer-pressured into keeping it real and never allowed to change, even when they look, think, and feel very differently and move in radically wider circles than those into which they were born.
I understand why J. Lo recorded this track. But Jenny from the block is, actually, a deeply depressing song that reinforces the pernicious saying: You can take the X out of the Y but you can't take the Y out of the X.
Notes
'Jenny from the Block' was released as a single in September 2002, from the studio album This is Me ... Then (Epic, 2002). The song was written by Jennifer Lopez, Troy Oliver, Mr. Deyo, Samuel Barnes, Jean-Claude Olivier and Cory Rooney. Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group.
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