"We are the smart set, a world apart set
We are the neatest, ergo elitist." [1]
As Derrida pointed out, the question of style and the question of woman almost become one and the same question within Nietzsche's philosophy - particularly when thought in relation to the question of Truth [2].
Perhaps that's what I was thinking of when, in 2004, I wrote this brief style guide for the Nietzschean woman - anticipating my Philosophy on the Catwalk project ...
1. Burn all soft-cotton frocks as these invariably suggest Laura Ashley and her ersatz brand of pseudo-traditional fashion. The key point for the Nietzschean woman of today is to look smart and well-groomed; to demonstrate she has both discipline and breeding.
2. Always wear a hat and gloves when out of doors. It does not matter if you are wearing the most beautiful Chanel outfit, if you lack these things you will look like a member of the herd.
3. Stockings should also always be worn. Even during the hottest summer days, the Nietzschean woman does not parade around with bare legs; nor on the coldest of cold winter nights does she ever think of pulling on woolly socks. Tights, of course, are utterly infra dig - a sordid remnant of the 1960s.
4. Make-up is a necessity and should be worn with pride and defiance so that one looks striking and dramatic; clearly defined lips, eyes luxuriantly shadowed, brows pencilled with firm, think curves; cheekbones emphasised with rouge. A face without make up looks offensively bare and contrary to what our idealists believe, Truth does not love to go naked.
There is, of course, much more to Nietzschean style than this. But any woman who sticks to the above will already have gone a long way towards a revaluation of values and protecting herself from viral infections: For has a woman who knows herself to be well dressed ever caught a cold? [3]
Notes
[1] I'm quoting here from an English version of a Berlin cabaret song - Das Gesellschaftlied (1931) - written by Mischa Spoliansky (music) and Marcellus Schiffer (lyrics) and performed by Ute Lemper (Decca, 1996): click here.
[2] See Jacques Derrida, Spurs, trans. Barbara Harlow, (The University of Chicago Press, 1979). And to read my take on this work, click here.
[3] Nietzsche, Twilight of the Idols, 'Maxims and Arrows', 25.
No fake women in Nietzsche's world.
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