Showing posts with label goth. Show all posts
Showing posts with label goth. Show all posts

31 Oct 2024

Halloween at the Kit Kat Club 1984/2024

Kit Cat Club Halloween Special: Sat. 26 Oct 2024
 
 
I was amused to see that even ageing goth clubbers like to mark anniversaries and can be a bit wistful for times gone by; it makes these creatures of the night trying so hard to appear undead and vampiric reassuringly all too human after all. 
 
Anyway, for one night only, the famous Kit Kat Club [1] was reincarnated on Saturday for a Halloween special in the hope that it might be possible to summon the alternative spirit of the mid-1980s with a musical mix of post-punk, dark disco, and synthpop. 
 
The strictly enforced dress code consisting of  glam-goth, cyber, industrial, fetish, drag, burlesque, steampunk, etc. is apparently in place to protect the club's status as edgy and avant-garde and encourage individual imagination and diversity [2].
 
One can't help thinking, however, that its real aim is to create a safe space for those who, for whatever reason, feel threatened by street wear and casual clothing; as if a single pair of trainers might somehow challenge their beautifully crafted aesthetic and dispell the whole illusion of the night. 
 
According to an online flyer for the event (see above): 'There will also be legacy guests, fashionistas, Glampires, a Monsterlune Catwalk Show, two live bands and a dedicated area where we can immerse ourselves in nostalgia, with visuals, photos and music evoking memories of those classic '80s nights that defined a generation.'
 
Unsure if such a gathering would delight the original founder and godfather of goth Simon Hobart [3], or have him spinning in his grave, I decided to give it a miss. 
 
Besides, I've never been much of a clubber and was never really a goth. Although, having said that, there were gothic elements to my look in this period; as can be seen in the photo below taken on 31 October 1984, when, concidently, I paid my one and only visit to the Kit Kat ... [4]
 
 

S. A. von Hell looking a bit post-punk gothic
(Halloween 1984) 

 
Notes
 
[1] Operating out of a "converted warehouse known as the Pleasure Dive in Westbourne Grove", the Kit Kat would quickly become "London's premier goth hangout, providing a more glamorous and tongue-in-cheek alternative to its more po-faced rival, the Batcave in Soho".
      Lines quoted from David Hudson's obituary for Simon Hobart in The Guardian (2 November, 2005): click here.
 
[2] I'm actually paraphrasing from a statement concerning the dress policy of the Torture Garden, not the Kit Kat, though I'm sure both venues would justify their dress codes on the same grounds. See my post on Europe's largest fetish club published on 12 December, 2012: click here.
 
[3] Simon Hobart - who would go on to become a crucial figure on the gay club scene in London - launched the Kit Kat Club in February 1984. Following a huge police raid (intended to discover drugs) in January 1985, 20-year-old Hobart found himself on the front page of The Sun where he was described as the 'Godfather of Goth'. Sadly, Hobart died in 2005 (aged 41). See the obituary by David Hudson cited in note [1].
 
[4] Unfortunately, I don't remember much about my visit and, if my diary entry from 31 October 1984, can be trusted my experience of the Kit Kat was entirely uneventful; much as I'd like to report that I copped off with Princess Julia that night, I left at the relatively early time of 1.30 am and caught the nightbus home.
      Note that the photo was taken earlier that day in Soho Square (and not at the club).   
 
 

30 Apr 2016

Some Wear Leather, Some Wear Lace

Some Wear Leather, Some Wear Lace (front cover photo)


The rapid evolution of popular music and youth culture in the wake of punk continues to fascinate many commentators, including some who weren't even born in the wildly exciting and experimental period between 1979 and 1984.

Despite their non-being during this era, Andi Harriman and Marloes Bontje have lovingly assembled a visual and written record of the time when some wore leather, some wore lace, but all of us - with a greater or lesser degree of success - wore eyeliner and adopted a somewhat gothic sensibility (transforming from punks to pagans and swapping safety pins for magical amulets).

Why things mutated in the manner they did - why kids who started off pogoing at the 100 Club ended  up posing at the Batcave - is a question that the above authors don't really address in a book which, although rich in photos, is disappointingly light on theory. But it's not one I pretend to know the answer to either.

I've heard it suggested, however, that the nihilistic energy and almost childlike joy in destruction of punk was not only impossible to sustain, but quickly became emotionally unsatisfying for those sensitive and creative individuals interested in developing a more sophisticated and glamourous aesthetic that would allow them to express feelings other than anger, boredom and hatred.

I suspect there's something in this argument.  At any rate, better Siouxsie and the Banshees than Sham 69 ...        


See: Some Wear Leather, Some Wear Lace: The Worldwide Compendium of Postpunk and Goth in the 1980s (Intellect, 2014), by Andi Harriman and Marloes Bontje. 

Note: those who are interested in knowing more about the above authors and their work should visit the Postpunk Project by clicking here