Can You Resist the Call of the Void? (SA/2025)
Based on Ernst Stückelberg's painting of Sappho (1897) [1]
I.
Apparently, the urge to jump when atop a high building, such as the Eiffel Tower, is not limited to rock 'n' roll puppets in a band called Bow Wow Wow [2], but is a fairly common phenomenon known (rather poetically) as the call of the void ...
II.
Usually, it's a violently intrusive thought that passes as quickly as it comes and is not regarded as a sign of any underlying suicidal tendencies. In fact, it may be the brain's way of telling you not to jump; to recognise the danger of your situation and step back from the edge.
III.
Philosophers, of course - particularly those who have taken seriously Nietzsche's injunction to live dangerously - don't always care what their brain tells them.
They know that "the secret of harvesting from existence the greatest fruitfulness and the greatest enjoyment" [3] involves sending ships into unchartered seas, building cities on the slopes of a volcano, and daring to leap into the void when the moment to do
so is right.
Empedocles knew this [4]. And Deleuze knew this [5] ...
IV.
The void, of course, is another one of those ideas in philosophy that can be traced back to the ancient Greeks. But it's probably in the modern sense that most people think it today; i.e., in relation to existential nihilism.
The key thing, however, is not take it too negatively: the void might even be seen as a space of potential; not just of nothingness. It's absence that makes the heart grow fonder and which allows for the emergence of new thoughts and feelings, the creation of new values and concepts.
The void is also the space of forgotten possibilities, where
abandoned paths can be rediscovered, allowing for
different interpretations of the past (interpretations that might then be projected into the future, so that we might in this way live yesterday tomorrow).
Our artist friends often insist on the importance of what they call negative space - something that is crucial for giving form and structure to what exists.
And scientists too are increasingly persuaded of the importance of the quantum vacuum - a void filled with fluctuating energy and mad particles, from which the universe itself may have emerged.
So, whilst I'm not encouraging any one to jump off a tall building, I think it's worth acknowledging that the call of the void is more than what psychologists say it is, i.e., a slightly odd phenomenon not linked to actual intentions, so not worth paying too much attention to.
The call of the void - like the call of the wild - is, in fact, a vital experiential reality.
Notes
[1] The Ancient Greek poet Sappho is perhaps best known for her lyric poetry, written to be sung while accompanied by music. That, and her sexuality - although her lesbianism is much disputed amongst scholars and there is no documentary evidence to conclusively indicate her preference when it came to lovers.
(In classical Athenian comedy, she was often portrayed as promiscuoulsy heterosexual; the earliest surviving sources to explicitly identify Sappho's homoeroticism come from the Hellenistic period, although such modern terms, of course, would have been meaningless to the ancient Greeks and one does wonder whether projecting lesbianism on to a figure like Sappho is anything other than an ideological move motivated by queer-feminist politics.)
According to legend, Sappho killed herself by leaping from the Leucadian cliffs due to her unrequited love for the ferryman Phaon; a story related to a myth about the goddess Aphrodite and one that is regarded as ahistorical by modern scholars.
[2] I'm referring to Annabella Lwin, lead vocalist with Bow Wow Wow, and their track 'Sexy Eiffel Towers' on Your Cassette Pet (EMI, 1980), an eroticised tale of teen suicide involving a leap from the sexiest building left: click here to play.
[3] Nietzsche, The Gay Science (1882), trans. Walter Kaufmann (Vintage Books, 1974), IV. 283, p. 228.
[4] The pre-Socratic philosopher Empedocles famously threw himself into the lava and flames of Mount Etna and his death has been mythologised by writers and artists ever-since. Whether he believed that this would guarantee his immortality or not, the fact is that his name lives on to this day. The Roman poet Horace refers to the death of Empedocles in his work Ars Poetica and suggests that great thinkers have not only the right, but almost a duty, to destroy themselves.
[5] Deleuze committed suicide on 4 November 1995 by jumping from the window of his apartment in Paris. He was suffering from increasingly severe respiratory problems that made even simple tasks difficult (including writing, though I'm not sure we can describe that as a simple task).
Whether his surrendering to the call of the void marked a loss of desire on his part, however, is debatable; it could be that his decision to terminate his own individual existence was a way of affirming life and thus indicates a final resurgence of vitality. In other words, his suicide might be seen as a logical way for Deleuze to show fidelity to his own philosophy, rather than merely a wish to end his suffering.
See the post entitled 'Three French Suicides' (31 Jan 2024) in which I discuss Deleuze's death in relation to the deaths of Olga-Georges Picot and Christina Pascal (both of whom also answered the call of the void): click here.
For a sister post to this one, click here.
