Photo of Robinson Jeffers
by Carl Van Vechten (1937)
by Carl Van Vechten (1937)
As for me, I would rather be a worm in a wild apple than a son of man.
It's only very recently that I've become familiar with the American poet Robinson Jeffers (1887 - 1962) - this despite the fact he's highly regarded by admirers for his Nietzschean philosophy of Inhumanism and came spinning out of the same cultural vortex as D. H. Lawrence.
Like Lawrence, Jeffers wrote of the astonishing beauty twinned with the savage cruelty of the natural world and contested all forms of anthropocentric conceit. His uncompromising relationship with the physical world is described in often brutal verse and, like Lawrence, Jeffers also had a penchant for exploring controversial subject matter, including rape, incest, bestiality and murder.
Like Lawrence, Jeffers wrote of the astonishing beauty twinned with the savage cruelty of the natural world and contested all forms of anthropocentric conceit. His uncompromising relationship with the physical world is described in often brutal verse and, like Lawrence, Jeffers also had a penchant for exploring controversial subject matter, including rape, incest, bestiality and murder.
Both writers, we might say, subscribed to a model of the sublime that was erotico-daemonic in character. The key question was how mankind could find its proper place in the world as a being amongst other beings (be they animals, flowers, or rocks). This, Jeffers suggests, would involve men and women learning how to uncentre themselves and accept that all things have an element of divinity and are interconnected in what is essentially a tragedy of existence.
Sadly, like Lawrence, Jeffers has largely fallen from favour and been marginalised in the mainstream academic community during the last thirty years. And probably for some of the same reasons; how many students today care about the extraordinary patience of things or want to hear that the universe is absolutely indifferent to them and their narcissistic politics of identity and social justice?
Still, Jeffers does have his followers and devotees; particularly within the burgeoning discipline of eco-poetics where his effort to shift emphasis from man to not-man is met with approval. And I certainly intend to read his work closely and at length over the coming months; who knows, I may even become a member of the Robinson Jeffers Association ...
Still, Jeffers does have his followers and devotees; particularly within the burgeoning discipline of eco-poetics where his effort to shift emphasis from man to not-man is met with approval. And I certainly intend to read his work closely and at length over the coming months; who knows, I may even become a member of the Robinson Jeffers Association ...
Notes
Readers interested in the Jeffers-Lawrence connection might like to see Calvin Bedient's essay, 'Robinson Jeffers, D. H. Lawrence, and the Erotic Sublime', in Robinson Jeffers and a Galaxy of Writers, ed. William B. Thesing, (University of South Carolina Press, 1995).
See also the foreword written by Jeffers to Fire and Other Poems, by D. H. Lawrence, published by The Book Club of California / The Grabhorn Press, 1940, in a limited edition of just 300 copies (with an introductory note on the poems by Frieda Lawrence).
Robinson Jeffers, The Collected Poetry of Robinson Jeffers, Vols. I-V, (Stanford University Press, 1988-2000).
Robinson Jeffers, The Selected Poetry of Robinson Jeffers, ed. Tim Hunt, (Stanford University Press, 2001).
Thanks to Simon Solomon for introducing me to the poetry of Robinson Jeffers and inspiring this post.
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