Showing posts with label racial identity. Show all posts
Showing posts with label racial identity. Show all posts

19 Jun 2015

The Case of Rachel Dolezal




The controversial case of Rachel Dolezal continues to fascinate and to challenge many of our ideas and misconceptions concerning race and the cultural construction of identity. 

Ms Dolezal, according to her parents, is a white woman of predominantly European descent who has been wilfully misrepresenting and disguising herself as an African American in order to advance her career and rise to a position of prominence within the black community. For not only did she become a university professor of African studies, specialising in the intersection of gender, race and class, but also president of her local NAACP.  

To be fair, Dolezal grew up in a family with adopted black siblings and attended a school in Mississippi where most of her friends and fellow pupils were black. She also married (and subsequently divorced) a black man with whom she has a child. But, of course, none of this serves to make her African American - anymore than does the deep-tanned skin, the clothing, the jewellery, or the make-up and hairstyling. Biologically speaking, she remains what she has always been: a white woman.

But since when has race ever simply been a question of biology? 

Thus, I have to admit I'm sympathetic to Dolezal and know precisely what she means when she suggests that her case is far more complex and multi-layered than many of her critics (or her parents) understand or wish to concede. This includes, for example, that great paragon of sensitive and sophisticated commentary, Piers Morgan, who brands Dolezal a lying, deluded idiot and is clearly outraged by the thought that race might be reconfigured as a question of style rather than blood and the fear that other essential binaries might in this manner also be problematized.

For Morgan - and he explicitly says as much - race is an either/or issue: you're either black or you're white. And Dolezal is 100% white by birth and breeding and can never be anything but white. Morgan thus brands her carefully crafted and performed identity fraudulent and a mockery; akin to wearing blackface. It would be laughable, he says, were it not so serious, concluding that Dolezal has "committed an appalling act of deception that deserves every heap of abuse now raining down on her head".

Of course, what those such as Morgan really wish us to understand is not that Dolezal is who and what she is no matter what she does, but that we are all born into fixed and fatal identities, regardless of what we learn, accomplish, or become in later life. And this would even include Barack Obama: he might be living in the White House and be the son of a white mother, but, according to those for whom race is an all-determining absolute, he remains a nigger for all eternity.     

In other words, racism begins and ends with a form of death sentence; the belief that colour is so much more than merely skin-deep and blackness entirely unrelated to artifice. 

     

21 Nov 2013

White Skin, Black Mask: The Case of Iggy Azalea

Photo of Iggy Azalea: www.iamhiphopmagazine.com


According to one of her critics - and she has many - Australian-born rapper and model Iggy Azalea is hip hop's nightmare; a privileged blonde white girl who plays with African-American identity and exploits black culture and history, reinforcing the very worst racial and sexual stereotypes in the process of making mega-bucks for herself and the corporate-media pimps she hustles for.*

Now, whilst I understand and sympathize with this position - which is not simply based on personal hostility, so much as it is rooted in a long and shameful past that only an idiot would seek to deny - I'm wary about sharing or supporting it. Because in order to share and support this view one would have to understand race as an essential categorization.

And that's tricky for me, as I see blackness in terms of artifice and attitude, not authenticity; as a question of style, not soul. I also believe it to be performative; that is to say, a way of walking and talking, as well as dressing, thinking, laughing and loving.

In other words, negritude, because it is culturally constructed, is something that can be legitimately assumed by anyone - even a pale-faced young woman from Down Under. She might be wearing a mask and playing a role - but so are the rest of us - and despite some rather depressing and regrettable aspects of her persona it is important to recognize also the complexity of her performance as a postmodern minstrel. 


* See the essay by Aimee Valinski; Hip Hop's Nightmare - Iggy Azalea, (www.iamhiphopmagazine.com)