Stephen Alexander and Leonard Zelig
(SA/2026)
I.
Zelig (1983) may not be my favourite Woody Allen movie, but it's the one that philosophically most interests and also the film that most closely resonates with my own experiences.
The title character, Leonard Zelig [1], played by Allen - who also wrote and directed the movie - is, paradoxically, a man without any fixed character or distinguishing features; someone who, out of a pathological desire to fit in and be liked, takes on the personal traits of those people around him.
Our friends the psychologists refer to this with the term environmental dependency syndrome - although some see it as an actual disorder that compromises individuation and prevents personal autonomy [2].
Made as a fictional documentary, Zelig uses archival footage, faux-newsreels, and interviews with real-life intellectuals - including Susan Sontag, Saul Bellow and Bruno Bettelheim - to chronicle the life of human chameleon Leonard Zelig in the 1920s and '30s, humorously exploring themes of identity, conformity, and celebrity.
It's an almost flawless film and certainly far more than the one-joke technical novelty that some critics dismissed it as at the time. To enjoy a short theatrical teaser trailer, click here.
II.
Rewatching Allen's film, it struck me that, in some ways, I'm a bit Zelig-like, in that I have the knack for being at the right time and place and of appearing to fit in, even while secretly remaining on the outside of events and somewhat indifferent to what others think of me.
For unlike Zelig, I don't need to be loved; I just need to be close enough (and invisible enough) to watch the chaos unfold; more an amused observer rather than an active participant or paid-up member of an established scene.
III.
For example, when at Charisma Records in 1984-85, I was both employed and not-employed; at the heart of the music business whilst never really belonging. I hadn't applied for a job in the press office and had no ambitions of building a career.
Rather, I just found myself placed there thanks to the machinations of Malcolm McLaren who wanted me to act as a mole, letting him know what was happening behind the scenes during a very turbulent period when the Virgin shark was in the process of digesting Charisma, having swallowed the label in 1983.
Then, in the 1990s, whilst doing doctoral research at Warwick University, I was both a member of the philosophy department and not quite part of it. Registered as a part-time student, I was based in London rather than resident on campus or living nearby. I was also co-supervised by a professor in the English department and that made me a bit suspect to some in the philosophy department.
I knew (and quite liked) Nick Land and even produced some artwork for the magazine Collapse at his invitation, but, again, was never really one of Nick's gang or involved with the CCRU as they accelerated off into the future.
Finally, and by way of another example, between 2004-08, I spent a good deal of time at Treadwell's, in Covent Garden, seemingly a key figure on the pagan witchcraft scene, presenting over thirty talks at the store during this period on subjects ranging from thanatology to zoophilia - as noted by Gary Lachman in an article for the Independent [3].
But, once more, despite my ability to look at home in an esoteric environment, I always felt like an enemy within (just a little bit too sceptical, too cynical, and too insincere to ever really belong).
IV.
In conclusion: I am and I am not Leonard Zelig.
Whilst he transforms physically to fit in, I'm more of an intellectual chameleon: in other words, he has no fixed look; I have no fixed ideas.
In our own ways, however, we both haunt cultural history by being everywhere and nowhere at once, reflecting the mood and the madness of the times.
Notes
[1] The name Zelig is Yiddish of Germanic origin, meaning 'blessed' or 'happy' and has historically been associated with individuals considered to be favoured by a higher power.
[2] EDS is often caused by frontal lobe damage, often resulting from strokes, tumours, or degenerative diseases like dementia. Those with the condition not only copy the gestures and mannerisms of others, but also often use objects inappropriately; unable to resist the impulse to interact with their environment. Such behaviour, as one might imagine, can lead to awkward social situations and, in severe cases, can have serious consequences.
[3] See Gary Lachman, 'Pagan pages: One bookshop owner is summoning all sorts to her supernatural salons', Independent (16 September 2007): click here.
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