I.
It's funny how life works out: one minute you're just an audition away from landing the role of Woody Boyd in one of TV's greatest sitcoms; the next you're being eaten by a brown bear ...
II.
Failed actor, self-confessed substance abuser, and gonzo naturalist, Timothy Treadwell, believed he possessed a unique bond with all creatures great and small, particularly bears, which, he insisted, were just harmless party animals. To prove it, he spent his summers in an Alaskan National Park getting chummy with grizzlies, whilst pissing off the park rangers who repeatedly warned him about the risks he was taking.
Warnings he blithely chose to ignore; refusing, for example, to carry a can of bear spray (just in case), or protect his campsite with a (non-lethal) electric fence. Both of these measures were dismissed as cruel and unnecessary, 'cos he loved his furry friends and they would never hurt him, he said.
Unfortunately, this proved to be a fatal conceit ... Something that Treadwell discovered when he and his girlfriend, Amie Huguenard, encountered a denizen of the woods out looking for a meal, rather than searching for human companionship.
III.
The tragic result of this encounter was documented in Werner Herzog's Grizzly Man (2005); a film which makes silent use of a six-minute audio recording in which the agonised screams of Tim and Amie can be heard as they meet their grisly end (excuse the pun). Whilst some vorarephiles might find that idea arousing, I suspect in reality there's nothing very erotic about having a large male bear chow down on you (as Leonardo DeCaprio will vouch).
Interestingly, however, whilst praising Treadwell's astonishing video footage of bears, Herzog makes it clear in his narration that he repudiates Treadwell's Disneyfied view of nature and regards him as a disturbed individual harbouring a bizarre death wish. So, perhaps it was the end he longed for after all ...?
If nothing else, it certainly makes one question why it was that Treadwell, who usually left the park at the end of the summer, chose in 2003 to stay until early October; a decision that placed him and Huguenard at far greater risk, as bears become more aggressive in the autumn as they desperately search for food prior to hibernation.
Herzog speculates that by staying later in the season Treadwell was almost deliberately inviting trouble. And he concludes:
"What haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food."
Warnings he blithely chose to ignore; refusing, for example, to carry a can of bear spray (just in case), or protect his campsite with a (non-lethal) electric fence. Both of these measures were dismissed as cruel and unnecessary, 'cos he loved his furry friends and they would never hurt him, he said.
Unfortunately, this proved to be a fatal conceit ... Something that Treadwell discovered when he and his girlfriend, Amie Huguenard, encountered a denizen of the woods out looking for a meal, rather than searching for human companionship.
III.
The tragic result of this encounter was documented in Werner Herzog's Grizzly Man (2005); a film which makes silent use of a six-minute audio recording in which the agonised screams of Tim and Amie can be heard as they meet their grisly end (excuse the pun). Whilst some vorarephiles might find that idea arousing, I suspect in reality there's nothing very erotic about having a large male bear chow down on you (as Leonardo DeCaprio will vouch).
Interestingly, however, whilst praising Treadwell's astonishing video footage of bears, Herzog makes it clear in his narration that he repudiates Treadwell's Disneyfied view of nature and regards him as a disturbed individual harbouring a bizarre death wish. So, perhaps it was the end he longed for after all ...?
If nothing else, it certainly makes one question why it was that Treadwell, who usually left the park at the end of the summer, chose in 2003 to stay until early October; a decision that placed him and Huguenard at far greater risk, as bears become more aggressive in the autumn as they desperately search for food prior to hibernation.
Herzog speculates that by staying later in the season Treadwell was almost deliberately inviting trouble. And he concludes:
"What haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food."
Notes
For a lengthy essay discussing the case of Timothy Treadwell entitled 'Night of the Grizzly - A True Story of Love and Death in the Wilderness', visit: yellowstone-bearman.com
To learn more about Grizzly People, the grassroots organisation founded by Treadwell devoted to preserving bears and their natural environment, click here.
See: Grizzly Man, dir. Werner Herzog, (Lions Gate Films, 2005): click here to watch the official trailer.
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