It's amazing just how strongly certain songs from forty years ago still continue to resonate. For example, the Killing Joke single 'Let's All Go', released from the album Fire Dances in the summer of '83, still makes me want to take the future in my hands and find that feeling somewhere [1].
I'm not sure why that is, but I don't think it's simply related to the power of the music or the brilliance of the band. In fact, research indicates that most people tend to privilege songs from their adolescence and early adulthood and that this isn't merely nostalgia.
Rather, the musical connections that become entangled with life experiences during this period will trigger vivid memories and strong emotions long into old age and - because these memories and emotions will for the most part be positive - this makes one happy in the present (not just yearn for the past).
Interestingly, psychologists speak of a musical reminiscence bump - something that refers to the fact that people tend to disproportionately recall memories from between the ages 10 to 30 years old, which is precisely when many novel and self-defining experiences become deeply encoded in the brain and when people are most fascinated with pop culture and busy constructing the soundtrack of their lives [2].
This music-related reminiscence bump has been found to peak around age
fourteen; songs popular at this age seem to evoke the most memories
overall. For me, that would be the songs of the Sex Pistols in 1977. However, I would argue that the songs that I loved aged ten (in
1973) - such as those by Gary Glitter - and aged twenty (in 1983) - such as
those by Killing Joke - mean just as much and are as closely linked to happy memories, happy days.
Notes
[1] The joyous track, 'Let's All Go (to the Fire Dances)', by English post-punk band Killing Joke, was released as the sole single from their 1983 studio album Fire Dances, on 7" and 12" vinyl by E.G. Records in June 1983. It reached number 51 in the UK Singles Chart and was the band's first single to be accompanied by a music video which can be viewed on YouTube by clicking here.
Fire Dances - the fourth and, in some ways, my favourite Killing Joke album, was released the following month (also on E. G. Records). It was first to feature new bass player Paul Raven, was critically well-received, and reached number 29 in the UK Albums Chart.
[2] The reminiscence bump was identified through the study of autobiographical memory and the subsequent plotting of the age of encoding of memories to form the lifespan retrieval curve (i.e., the graph that represents the number of autobiographical memories encoded at various ages during an individual's life span). Not surprisingly, after the reminiscence bump flattens out, we tend to remember less and less vividly.
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