I.
As many readers will recall, The Great Rock 'n' Roll Swindle (dir. Julien Temple, 1980) ends aboard the good ship Venus with the Sex Pistols reduced from flesh and blood punk rockers, who once called for anarchy in the UK, to cartoon pirates singing a bawdy 19th-century drinking song and heading for disaster on the rocks.
Still, whilst the song itself may have a strictly limited appeal, the animated sequence contains many delicious moments, two of which I'd like to comment on here ...
II.
Firstly, there's the scene in which Rotten is made to walk the plank and is pushed into the sea at sword point by Captain McLaren, where he is quickly gobbled up by a hungry shark branded with the Virgin logo. It's très drôle.
But before we discuss why the lead singer was cruelly dispatched in this manner, we might stop and ask if pirates ever really used walking the plank as a method of execution ... Apparently, the answer to this is yes, but only on rare occasions and it was practised mostly for the amusement of the crew. Nevertheless, it has become a popular pirate motif within popular culture.
In Robert Louis Stevenson's Treasure Island (1884), for example, there are several mentions of walking the plank, including the opening scene in which Billy Bones tells blood-curdling stories of the practice to Jim Hawkins. And Captain Hook and his men also had a penchant for making prisoners walk the plank in J. M. Barrie's Peter Pan (1904).
But, returning to the case of Johnny Rotten in The Great Rock 'n' Roll Swindle ... His symbolic execution illustrates the fact that shortly after the Winterland show in San Francisco on 18 January 1978, it was decided by Malcolm and other members of the group that he simply had to go.
Not only was everybody bored with being part of a successful rock 'n' roll band, but, according to McLaren, Rotten was starting to develop certain starry pretensions and thinking about how he might develop a long-term (possibly solo) career in the music industry. In this, he had the backing of record company executives, who saw him as a valuable asset and someone whom - unlike McLaren - they could work with.
Further, McLaren was of the view that in order to gain everything it was necessary to sacrifice something, or someone, and Rotten - whom he now characterised as a collaborator - was the perfect candidate.
And so, whilst throwing him overboard was an unexpected move, some might say it was also a bold stroke of genius; as was sending Cook and Jones to Brazil and recruiting the Great Train Robber Ronnie Biggs as the Sex Pistols' new lead vocalist, but that's another story ...
III.
If walking the plank is a legendary pirate practice, then the idea that a sea captain must always go down with his ship is arguably a more noble maritime tradition; one that assigns to the latter ultimate responsibility for both his vessel and all who sail aboard her (crew and passengers alike).
I'm not sure McLaren in his role as captain of the good ship Venus cared in the slightest about saving the lives (or musical careers) of his punk crew - in fact, having thrown Rotten to the sharks and determined to effectively skuttle the ship, Malcolm didn't give a fuck who would sink or swim and went beneath the waves standing to attention, but with a mischievous grin on his face.
Nineteenth-century ideals of virtue and doing the right thing - of always following protocol and respecting tradition - were exactly what the Sex Pistols wished to destroy and McLaren prided himself on the fact that he was irresponsible and didn't manage so much as wilfully mismanage the group.
Notes
[1] "Friggin' in the Riggin'" - along with Sid's version of the Eddie Cochran song "Something Else" - was released as a double A-side single on 23 February 1979 (both taken from the The Great Rock 'n' Roll Swindle soundtrack also released in Feb '79 on Virgin Records). It got to number three on the UK charts and sold 382,000 copies, making it the Sex Pistols' biggest selling single. To play and watch on YouTube: click here.
[2] Animation for The Great Rock 'n' Roll Swindle was by Bill Mather, Andy Walker, Gil Potter, Derek W. Hayes, and Phil Austin (Supervised by Animation City).
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