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Top: Tony Curtis as Josephine and Jack Lemmon as Daphne in Some Like It Hot (1959)
Bottom: Kenneth Williams as Ethel and Charles Hawtrey as Agatha in Carry on Constable (1960)
I.
For lovers of film and for lovers of drag, Billy Wilder's romantic comedy Some Like It Hot (1959), starring Tony Curtis and Jack Lemmon, is perhaps as good as it gets.
And indeed, there's certainly a lot to admire about it, including the performances of Curtis and Lemmon as the two jazz musicians, Joe and Jerry, who go on the run - disguised as women - after witnessing a gangland murder. They could have played the roles of Josephine and Daphne simply for laughs, but instead they invest their acting talent in creating an illusion of womanhood that is convincing as well as comic [1].
Perhaps that's why although the Curtis and Lemmon characters of Joe and
Jerry are portrayed as red-blooded (heterosexual) males, whose decision
to wear female clothing is a sign of their desperation rather than perversity, Some Like It Hot was produced without approval from the censor-morons who enforced the Hays Code and feared the slightest hint of queerness.
Or perhaps they just found Marilyn Monroe's character of Sugar Kane too hot to handle ... [2]
As good as Curtis and Lemmon are in Some Like It Hot - and as loveable as we may find Josephine and Daphne - they are not, in my view, as good (or as loveable) as Ethel and Agatha, as played by Kenneth Williams and Charles Hawtrey in Carry On Constable (1960) ...
Directed by Gerald Thomas, Carry On Constable is the fourth in the series of Carry On films and contains many of my favourite actors, scenes, and lines of dialogue - including the scene in which Charles Hawtrey as Special Constable Timothy Gorse
and Kenneth Williams as PC Stanley Benson, decide to go undercover - dressed as women - in order to catch a gang of shoplifters.
The Carry On films would, over a 20-year, 30-film span, often include scenes of drag; one thinks of Peter Butterworth, for example, as DC Slobotham disguised as female bait in Carry On Screaming (1966), or Kenneth Cope, as Cyril, pretending to be a student nurse in Carry On Matron (1972).
But whilst heterosexual actors playing straight characters dressed as women may be mildly amusing, it lacks the camp frisson and sheer joyfulness of two homosexual actors openly playing queer characters dressed as women. And thus nothing tops the scene with Hawtrey and Williams dragged up in Carry On Constable, which readers can enjoy by clicking here.
Notes
[1] Curtis and Lemon were helped to play Josephine and Daphne by the legendary female impersonator (and trapeze artist) Barbette, who was hired by the studio to coach them in the art of drag.
Much admired by Jean Cocteau, Barbette was described by the French poet and playwright as a combination of angel, flower and bird who transforms effortlessly back and forth between man and woman, revealing the performative aspect of gender. In a seminal 1926 essay, Cocteau instructed his fellow artists to learn from Barbette if they wished to understand the nature of artifice. Cocteau also commissioned a series of photographs by Man Ray of Barbette and cast her in his experimental first film Le Sang d'un Poete (1930).
[2] Peter Majda makes the important point that it's not just Curtis and Lemmon who are performing exaggerated forms of femininity in Some Like It Hot - that their co-star Marilyn Monroe is also "essaying another aspect of her comedic
persona, which is a cis female-form of drag"; one that is, in fact, "more complicated and
layered because she's a woman, playing on the expectations of
femininity".
For Monroe's hyper-feminine (and almost cartoonish) character of Sugar Kane is also carefully constructed with clothes and cosmetics and also relies upon a certain ways of walking and talking, etc. As Judith Butler once said: We are all transvestites.
See Peter Majda's post entitled 'Performative Femininity and the Absurd: Drag and Comedy in "Some Like It Hot"' (17 April 2019), on his excellent blog A Seat in the Aisle: click here.
