Showing posts with label piers morgan. Show all posts
Showing posts with label piers morgan. Show all posts

17 Jul 2023

Amplifying Deviance and Danger: Notes on the Concept of Moral Panic

Tanya Brassie: Moral Panic 

 
I.
 
Stanley Cohen's concept of moral panic [1] remains a useful one for examining how an (often irrational) fear that a tiny minority of people threaten the values and interests of wider society can quickly become widespread (or go viral as we like to say in this digital age).
 
Of course, not all fears are irrational and whilst it probably doesn't help to panic, there are times when social anxiety is justified and expressing concern over perceived threats an understandable response, although we might question whether the manipulation and exploitation of fear by journalists and politicians - or those whom Cohen terms moral entrepreneurs - is ever a good thing.  
 
As Cohen points out, while a threat may be real, to exaggerate its seriousness is not helpful and often just results in new laws that restrict everybody's freedom. Further, if allowed to really take hold of the public imagination, there's the danger too that a social phenomenon that plays with public prejudice becomes a psychological issue and moral panic ends in mass hysteria (which is genuinely dangerous - often far more so than the perceived threat).       
 
 
II. 
 
I am reminded of all this when listening to the numerous reports and endless discussions on GB News and Talk TV about boat migrants crossing the Channel, drag queens reading stories to children, and transwomen competing in sporting events or accessing female toilets.
 
I might not want any of these things to happen: but I am also aware of the fact that whilst Piers Morgan and Dan Wootton, for example, are not consciously engaged in spreading hate speech, they do play a crucial (and questionable) role in the dissemination of moral indignation. For even when the above and their colleagues accurately report the facts, they often do so without contextual nuance and in a manner designed to generate viewer anger and trend on social media.       
 
So, what am I trying to say here? 
 
Perhaps, simply, that those with big mouths, strong opinions, and high-profile media platforms should also exercise a degree of caution when exercising their right to freedom of speech. Similarly - and this is a Nietzschean point - when demonising others it's best to take care lest this makes you monstrous in the process [2]
 
 
Notes
 
[1] Whilst moral panics have a long history, it was the sociologist Stanley Cohen who first named and explicitly formulated the concept in his seminal work Folk Devils and Moral Panics (MacGibbon and Kee, 1972). Although Cohen discussed the example of teenage mods and rockers, many other groups have also found themselves othered as a mortal danger to society, including satanists, communists, and homosexuals.
     It is worth noting that often it is not a group or community as such that triggers a moral panic, but a phenomenon such as drug use, football hooliganism, dangerous dogs, or internet pornography. Again, these things are often exploited by the authorities to justify a clampdown on civil liberties.     
 
[2] I'm paraphrasing Nietzsche writing in Beyond Good and Evil, 4. 146. 
 
 

19 Jun 2015

The Case of Rachel Dolezal




The controversial case of Rachel Dolezal continues to fascinate and to challenge many of our ideas and misconceptions concerning race and the cultural construction of identity. 

Ms Dolezal, according to her parents, is a white woman of predominantly European descent who has been wilfully misrepresenting and disguising herself as an African American in order to advance her career and rise to a position of prominence within the black community. For not only did she become a university professor of African studies, specialising in the intersection of gender, race and class, but also president of her local NAACP.  

To be fair, Dolezal grew up in a family with adopted black siblings and attended a school in Mississippi where most of her friends and fellow pupils were black. She also married (and subsequently divorced) a black man with whom she has a child. But, of course, none of this serves to make her African American - anymore than does the deep-tanned skin, the clothing, the jewellery, or the make-up and hairstyling. Biologically speaking, she remains what she has always been: a white woman.

But since when has race ever simply been a question of biology? 

Thus, I have to admit I'm sympathetic to Dolezal and know precisely what she means when she suggests that her case is far more complex and multi-layered than many of her critics (or her parents) understand or wish to concede. This includes, for example, that great paragon of sensitive and sophisticated commentary, Piers Morgan, who brands Dolezal a lying, deluded idiot and is clearly outraged by the thought that race might be reconfigured as a question of style rather than blood and the fear that other essential binaries might in this manner also be problematized.

For Morgan - and he explicitly says as much - race is an either/or issue: you're either black or you're white. And Dolezal is 100% white by birth and breeding and can never be anything but white. Morgan thus brands her carefully crafted and performed identity fraudulent and a mockery; akin to wearing blackface. It would be laughable, he says, were it not so serious, concluding that Dolezal has "committed an appalling act of deception that deserves every heap of abuse now raining down on her head".

Of course, what those such as Morgan really wish us to understand is not that Dolezal is who and what she is no matter what she does, but that we are all born into fixed and fatal identities, regardless of what we learn, accomplish, or become in later life. And this would even include Barack Obama: he might be living in the White House and be the son of a white mother, but, according to those for whom race is an all-determining absolute, he remains a nigger for all eternity.     

In other words, racism begins and ends with a form of death sentence; the belief that colour is so much more than merely skin-deep and blackness entirely unrelated to artifice.