Nothing fascinates more than the ghostly beauty of the geisha
with her iridescent green lips and blackened teeth ...
There are three traditional elements which compose the beauty of the Japanese woman: white skin; black teeth; green lips. Here, I'd like to discuss the last two of these elements and then, in part two of this post, examine the significance and appeal of the first.
Green Lips
The art of painting lips is an ancient one in Japan and the traditional lip colouring was called Komachi-beni - a name derived from the red pigment extracted in minute amounts from the thistle-like safflower, known as benibana in Japanese.
The use of beni grew in popularity during the 17th-century and by the end of the 19th-century it was found on every fashionable woman's dressing table, contained in a small porcelain bowl called an ochoko, where, interestingly, it would dry into a shimmering green powder (this providing proof of its authenticity).
Whilst beni would turn back to red when moistened with a finger tip or lip brush, something of this natural greenness continued to shine through when layered on the lips. Sometimes, women wishing to intensify this iridescent effect would first paint their lips with beni, then use a green pigment obtained from the stem of a bamboo plant.
Sadly, but hardly surprisingly, during the 20th-century - particularly after 1945 - Western cosmetics (and Western ideals of beauty) rose to dominance and handy oil-based lipsticks (in more conventional shades) became the norm.
Black Teeth
Prior to the Meiji era, Japanese women may have loved their red-green lips and milk-white skin, but, like women in other Southeast Asian and Oceanic cultures, so too did they have a penchant for blackening their teeth.
Whilst this practice, known as ohaguro, certainly had an erotic as well as an aesthetic aspect - pubescent girls would paint their teeth black in order to signal their sexual maturity - it was primarily (and somewhat ironically) done to prevent tooth decay.
Sadly, in 1870, the government banned ohaguro and the practice had died out almost entirely by the 1920s. In the contemporary era, you might sometimes see a performer at a cultural festival with blackened teeth, or an actor on stage, or perhaps - if lucky - you may encounter a geisha girl who still likes to indulge in the habit.
However, whilst a small number of Westerners may show a fetishistic fascination for the blackened teeth of geisha girls, most will react with horror - particularly if combined with green lips. For whilst we may not insist on the redness of the latter, we value teeth for their pearly whiteness; a sign, for us, not only of oral hygiene, but wealth.
