Michael Marder (2011)
II. Vegetal Existentiality
The existential domain (of time, freedom and wisdom) is usually reserved for man alone. But if plants were also to have some experience of these things, then their "ethical and political status [...] will need to be revised in order to reflect their purchase on life [... and] the positive dimensions of their ontology" [90].
(1) The Time of Plants ...
Time, as Boy George once said, won't give us time. But time makes plants, like lovers, feel they have something real and if we are to have a close encounter with vegetal being "we will need to rethink temporality as the mainspring of the plant's ontology" [94].
Unfortunately, however, time is one of those questions in philosophy that I cannot get my head around and feel little inclined to try and do so now. Readers who want to understand vegetal temporality and the manner in which plants "spatially express time" [96] in depth will have to read Marder's work for themselves (I suggest you brush up on your Aristotle, Hegel, and Heidegger first of all).
Time, as Boy George once said, won't give us time. But time makes plants, like lovers, feel they have something real and if we are to have a close encounter with vegetal being "we will need to rethink temporality as the mainspring of the plant's ontology" [94].
Unfortunately, however, time is one of those questions in philosophy that I cannot get my head around and feel little inclined to try and do so now. Readers who want to understand vegetal temporality and the manner in which plants "spatially express time" [96] in depth will have to read Marder's work for themselves (I suggest you brush up on your Aristotle, Hegel, and Heidegger first of all).
Having said that, I suppose the key point is that time is not proper to the plant itself but derivative from the other; "whether this 'other' is a part of the organic world or a synthetically produced chemical mix, whether it pertains to the temporality of nature or to that of culture" [101]. The downside of this is that it makes the plant naturally vulnerable; "its potentialities are left vacant for infinite appropriation by anything or anyone whatsoever" [101] - it's a natural born victim of circumstance and agro-capitalist technologies.
What this means - and this presents a real challenge to all those who talk about the exploitation of nature - is that "techno-cultural and economic phenomena do not negate a preexisting 'natural' condition but interject themselves into the place of the plants' other" [102] and thus determine ontophytology.
This isn't to say that "the positing of the human and capitalist temporalities in the place of the plant's hetero-temporality" [102] isn't exploitative or non-violent, but it's hard to imagine the plant cares as long as it flowers and comes to fruition. That isn't quite Marder's conclusion - he still thinks it important to resist this subsumption - but he recognises the futility of appealing to its nature in order to do so, "since the potentialities of the plant are never completely its own" [102].
Ultimately, the plant is not just non-contemporaneous with us, it's not even contemporaneous with itself, in that it's a "loose alliance of multiple temporalities of growth [...] and in that it does not relate to itself, does not establish a self-identity" [104]. Again, that's why it's forced to obey the time of the other and why Marder finds himself up an ethical junction.
How does he get out? By reversing into ethical assertion: "The hetero-temporality of vegetal existence is the most telling instantiation of the ethical injunction for openness to the other." [107] I'm reminded of something I once wrote in my Illicit Lover's Discourse: "The polymorphously perverse nature of the Prostitute explains her generosity of spirit and openness to all."
It's insatiable promiscuity that bring the world's of vegetation and vice together. And it's "monstrous growth and immoderate proliferation" that have always been "unspeakably terrifying for philosophers" who have always sought to establish the proper limits of desire and police these limits "against potential transgressors" [107-08], whether they have green leaves or black fishnet stockings.
What this means - and this presents a real challenge to all those who talk about the exploitation of nature - is that "techno-cultural and economic phenomena do not negate a preexisting 'natural' condition but interject themselves into the place of the plants' other" [102] and thus determine ontophytology.
This isn't to say that "the positing of the human and capitalist temporalities in the place of the plant's hetero-temporality" [102] isn't exploitative or non-violent, but it's hard to imagine the plant cares as long as it flowers and comes to fruition. That isn't quite Marder's conclusion - he still thinks it important to resist this subsumption - but he recognises the futility of appealing to its nature in order to do so, "since the potentialities of the plant are never completely its own" [102].
Ultimately, the plant is not just non-contemporaneous with us, it's not even contemporaneous with itself, in that it's a "loose alliance of multiple temporalities of growth [...] and in that it does not relate to itself, does not establish a self-identity" [104]. Again, that's why it's forced to obey the time of the other and why Marder finds himself up an ethical junction.
How does he get out? By reversing into ethical assertion: "The hetero-temporality of vegetal existence is the most telling instantiation of the ethical injunction for openness to the other." [107] I'm reminded of something I once wrote in my Illicit Lover's Discourse: "The polymorphously perverse nature of the Prostitute explains her generosity of spirit and openness to all."
It's insatiable promiscuity that bring the world's of vegetation and vice together. And it's "monstrous growth and immoderate proliferation" that have always been "unspeakably terrifying for philosophers" who have always sought to establish the proper limits of desire and police these limits "against potential transgressors" [107-08], whether they have green leaves or black fishnet stockings.
(2) The Freedom of Plants ...
Contrary to what the Cockney Rejects insist, not only is there freedom for human beings, there's also freedom for plants, says Marder, thereby challenging a metaphysical tradition which would foreclose this latter possibility.
Admittedly, it's difficult to think of freedom in relation to a being devoid of selfhood and literally rooted to the spot. But perhaps if we think of freedom in terms of insouciance and indifference, for example, then the plant might be said to be freer than any of us. But can a plant be free in the ontological sense of being other than it is? Let's find out ...
Part of the problem when it comes to thinking about the freedom of plants, is that nature has been so thoroughly tamed: "Vegetal torpor is the aftermath of civilization; it is what remains of plant life after its thorough cultivation and biotechnological transformation ..." [128]. Marder continues - and I think this is a true and important observation:
"If upon encountering a plant, we fail to be impressed with the exuberance of its growth and uncontrollable efflorescence, this is because its current conceptual framing is the outcome of a long history that discarded and invalidated numerous interpretative possibilities for our relation to 'flora'." [128]
In other words, the plant is given a fixed metaphysical shape and in this way made into something that can be stuck in a pot and put in the corner of even the most respectable living room. Even Heidegger is happy to keep plants lodged in their own environment, denying them a place within the clearing of being (i.e., world).
Marder rightly interrogates such thinking and considers the freedom of the plant in relation to our own freedom. But again, that's not easy when vegetal being is so dissimilar to human (and animal) being. Plants are, in a sense, closer to being gods. For both gods and plants like to play in a carefree manner, whereas man prefers to work and to worry. Only when at his most imaginative, does man become playful like a plant; "imagination is the echo of vegetal freedom in human beings" [146].
In order to let the plant flourish in us, we need, therefore, to give free reign to the imagination (or aesthetic play-drive) and abandon ourselves to art as Dionysian intoxication; "'seizing on what is new and startling [...] what is violent and wild'" [146], as Schiller once described (and denounced) it.
Having said that, we must at the same time "be on our guard against the all-too-prevalent idealist illusion that vegetal life is the realm of purity and innocence. The plant's ontological indifference and lack of concern bespeak its freedom from conscience, but it is an anthropomorphic projection alone that codifies these qualities, as well as everything connected to play, in terms of innocence and lightheartedness." [146]
I have to admit, I'm pleased to hear Marder say this - though isn't it just as much of an idealist illusion to still speak of the struggle for emancipation and to posit vegetal life an important role in this (once plants have been liberated, of course, from "the political and economic conditions responsible [...] for their oppression" [149])?
(3) The Wisdom of Plants ...
Whilst frequently borrowing from Derrida throughout this work, here Marder admits that his reflections on vegetal intelligence "ought to be taken as a footnote to Nietzsche's provocative suggestion" [151] in The Will to Power about the sagacity of plants being a good starting point for the revaluation of all values.
In a sense, we're moving from ontophytology to epistemophytology; although, when it comes to plants, being and thinking are so closely bound together that in order to discuss the latter you need to reckon also with the former.
What soon becomes clear is that one needs to overstep "the bounds of the conventional theories of knowledge" [152] towards a postmetaphysical thinking that is "fluid, receptive, dispersed, non-oppositional, non-representational, immanent, and material-practical" [152]. Marder describes it as the non-conscious intenionality of vegetal life.
Again, I'm not entirely sure I know what that means - even after reading Marder's explanation - but it amuses me to think that this idea might irritate some followers of Levinas.
And I do like the idea of plants having memories, which, as temporal beings, I suppose is a reasonable expectation (albeit these memories will be imageless, or non-representational). Further, recent findings in molecular biology seem to confirm that plants can retrieve information stored in cells. Whereas we might remember the things revealed by the light, they, plants, physically remember the light itself (they might not have minds, but they certainly have bodies).
Memory, then, is a primal quality - before consciousness - and is found in mimosa as well as man. It's a key component "of the vibrant and multidimensional intelligence of plants" that can be mapped on the "ever-shifting continuum of sensibility-irritability" [156] (plants might not feel much, but just enough to know when they are getting pissed-off and to ensure their survival).
Importantly, any attempt to think plant-thinking must always remember that vegetal being revolves around non-identity; "understood both as the plant's inseperability from the environment wherein it germinates and grows, and its style of living devoid of a clearly delineated autonomous self" [162].
No wonder their thinking is so restless and agitated! No wonder that becoming-plant is so difficult! What it ultimately requires of us is something we are not easily convinced to do: close our eyes and affirm the darkness, "while refraining form the indiscriminate repudiation of light" [178].
Part of the problem when it comes to thinking about the freedom of plants, is that nature has been so thoroughly tamed: "Vegetal torpor is the aftermath of civilization; it is what remains of plant life after its thorough cultivation and biotechnological transformation ..." [128]. Marder continues - and I think this is a true and important observation:
"If upon encountering a plant, we fail to be impressed with the exuberance of its growth and uncontrollable efflorescence, this is because its current conceptual framing is the outcome of a long history that discarded and invalidated numerous interpretative possibilities for our relation to 'flora'." [128]
In other words, the plant is given a fixed metaphysical shape and in this way made into something that can be stuck in a pot and put in the corner of even the most respectable living room. Even Heidegger is happy to keep plants lodged in their own environment, denying them a place within the clearing of being (i.e., world).
Marder rightly interrogates such thinking and considers the freedom of the plant in relation to our own freedom. But again, that's not easy when vegetal being is so dissimilar to human (and animal) being. Plants are, in a sense, closer to being gods. For both gods and plants like to play in a carefree manner, whereas man prefers to work and to worry. Only when at his most imaginative, does man become playful like a plant; "imagination is the echo of vegetal freedom in human beings" [146].
In order to let the plant flourish in us, we need, therefore, to give free reign to the imagination (or aesthetic play-drive) and abandon ourselves to art as Dionysian intoxication; "'seizing on what is new and startling [...] what is violent and wild'" [146], as Schiller once described (and denounced) it.
Having said that, we must at the same time "be on our guard against the all-too-prevalent idealist illusion that vegetal life is the realm of purity and innocence. The plant's ontological indifference and lack of concern bespeak its freedom from conscience, but it is an anthropomorphic projection alone that codifies these qualities, as well as everything connected to play, in terms of innocence and lightheartedness." [146]
I have to admit, I'm pleased to hear Marder say this - though isn't it just as much of an idealist illusion to still speak of the struggle for emancipation and to posit vegetal life an important role in this (once plants have been liberated, of course, from "the political and economic conditions responsible [...] for their oppression" [149])?
(3) The Wisdom of Plants ...
Whilst frequently borrowing from Derrida throughout this work, here Marder admits that his reflections on vegetal intelligence "ought to be taken as a footnote to Nietzsche's provocative suggestion" [151] in The Will to Power about the sagacity of plants being a good starting point for the revaluation of all values.
In a sense, we're moving from ontophytology to epistemophytology; although, when it comes to plants, being and thinking are so closely bound together that in order to discuss the latter you need to reckon also with the former.
What soon becomes clear is that one needs to overstep "the bounds of the conventional theories of knowledge" [152] towards a postmetaphysical thinking that is "fluid, receptive, dispersed, non-oppositional, non-representational, immanent, and material-practical" [152]. Marder describes it as the non-conscious intenionality of vegetal life.
Again, I'm not entirely sure I know what that means - even after reading Marder's explanation - but it amuses me to think that this idea might irritate some followers of Levinas.
And I do like the idea of plants having memories, which, as temporal beings, I suppose is a reasonable expectation (albeit these memories will be imageless, or non-representational). Further, recent findings in molecular biology seem to confirm that plants can retrieve information stored in cells. Whereas we might remember the things revealed by the light, they, plants, physically remember the light itself (they might not have minds, but they certainly have bodies).
Memory, then, is a primal quality - before consciousness - and is found in mimosa as well as man. It's a key component "of the vibrant and multidimensional intelligence of plants" that can be mapped on the "ever-shifting continuum of sensibility-irritability" [156] (plants might not feel much, but just enough to know when they are getting pissed-off and to ensure their survival).
Importantly, any attempt to think plant-thinking must always remember that vegetal being revolves around non-identity; "understood both as the plant's inseperability from the environment wherein it germinates and grows, and its style of living devoid of a clearly delineated autonomous self" [162].
No wonder their thinking is so restless and agitated! No wonder that becoming-plant is so difficult! What it ultimately requires of us is something we are not easily convinced to do: close our eyes and affirm the darkness, "while refraining form the indiscriminate repudiation of light" [178].
Notes
Michael Marder, Plant-Thinking: A Philosophy of Vegetal Life, (Columbia University Press, 2013). All page numbers in the above post refer to this wok.
To read part one of this post, on encountering plants and ethical offshoots, click here.
To read part two of this post, on vegetal anti-metaphysics, click here.
To read part one of this post, on encountering plants and ethical offshoots, click here.
To read part two of this post, on vegetal anti-metaphysics, click here.