(Instagram 3 July 2025)
'The first half of life is learning to be an adult and the second half is learning to be a child.' [1]
I.
The above cartoon is funny, as Homer would say, because it's true.
Or, at the very least, it touches upon an idea that might possibly be true; namely, that in order to be an artist one must retain some quality (or qualities) associated with childhood.
It's an idea worth investigating further, I think ...
II.
I have always remembered an interview with Sid Vicious in which he adamantly insists that he doesn't want to be a grown up and that he and his bandmates are, essentially, just a bunch of kids. According to many people's favourite Sex Pistol:
"When somebody stops being a kid, they stop being aware. It doesn't matter how old you are; you can be ninety-nine and still be a kid. And as long as you're a kid, you're aware and you know what's happening. But as soon as you grow up [...] the definition of a grown up is someone who catches on to things when kids discard them." [2]
That, as Jules would say, is an interesting point.
And I suspect it was genuinely Sid's own view, though it also reflects the thinking of the Sex Pistols' manager Malcolm McLaren, who encouraged his young charges to be everything this society hates and by which he primarily meant childish, irresponsible, and disrespectful.
This countercultural philosophy, first conceived by McLaren at art school in the 1960s, was central to punk as it developed in the UK in the 1970s.
For Malcolm, like Sid, being a grown up meant conformity, compromise, and complacency. Being a child, on the other hand, meant remaining open to new ideas and experiences and viewing the world with wonder and a certain innocence - traits that also define an artist (at least in the minds of those who think of art as being more than a matter of paint on canvas).
III.
Innocence: it's a word that Nietzsche uses in relation to his concept of becoming-child [3]. But it's not one I usually associate with D. H. Lawrence.
However, Lawrence does occasionally speak in favour of naïveté and of the need for an artist to be pure in spirit; which doesn't mean being good in a traditional moral sense of the term, but having a supremely delicate awareness of the world and dwelling in a state of delight [4].
And Lawrence does say that a combination of innocence + naïveté + modesty might return some young writers and painters not merely to childhood, but to a prenatal condition; i.e., ready to be born into a new golden age.
For regression to the foetal state must surely, says Lawrence, be a prelude to something positive:
"If the innocence and naïveté as regards artistic expression doesn't become merely idiotic, why shouldn't it become golden?" [5]
IV.
Astute readers will note Lawrence's concern in that last line quoted above: there is always the possibility that innocence and naïveté don't result in artistic greatness, but, rather, in idiocy and what Lawrence thinks of as arrested development.
And let's be clear: push comes to shove, Lawrence - like Nietzsche, but unlike McLaren and Vicious - doesn't reject adulthood.
On the contrary, he values it above childhood and whilst he may value the positive qualities associated with children, he loathes those adults who behave in a manner that he regards as immature or infantile and dearly wishes they would grow up and put away childish things (as Paul would say).
Referring to novelists, for example, who, in his view, are overly self-conscious, Lawrence writes:
"It really is childish, after a certain age, to be absorbedly self-conscious. One has to be self-conscious at seventeen: still a little self-conscious at twenty-seven; but if we are going at it strong at thirty-seven, then it is a sign of arrested development, nothing else. And if it is still continuing at forty-seven, it is obvious senile precocity." [6]
Such people, says Lawrence - and in many ways I'm one of them - who "drag their adolescence on into their forties and their fifties and their sixties" [7] and either can't or won't grow up, need some kind of medical help [8].
Notes
[1] This is one of several well-known quotes attributed to Picasso on the relationship between art and childhood. Others include: 'Every child is an artist: the problem is how to remain an artist once we grow up' and 'It took me four years to paint like Raphael, but a lifetime to paint like a child.'
[2] Sid Vicious interviewed by Judy Vermorel in 1977 for The Sex Pistols, a book compiled and edited by Fred and Judy Vermorel, originally published in January 1978 by Universal Books.
To listen to Vicious sharing his views on this question, please click here. Sid also speaks frankly, honestly, and directly to his fans from 'Beyond the Grave' on Some Product: Carri On Sex Pistols (Virgin Records, 1979) and confidently asserts that just as you can be ninety-nine and still be a kid, so too can you be a grown up at sixteen: click here.
[3] See, for example, 'Of the Three Metamorphoses' in part one of Thus Spoke Zarathustra, the third and final stage of which is becoming-child and the entering into a second innocence.
[4] See D. H. Lawrence 'Making Pictures', in Late Essays and Articles, ed. James T. Boulton (Cambridge University Press, 2004), pp. 230-231.
[5] D. H. Lawrence, 'Introduction to These Paintings', Late Essays and Articles, p. 217.
[6] D. H. Lawrence, 'The Future of the Novel', in Study of Thomas Hardy and Other Essays, ed. Bruce Steele (Cambridge University Press, 1985), p. 152. Senile precocity is not a recognised medical condition and seems to have been coined as a term by Lawrence in this essay.
[7] Ibid., p. 153.
[8] This condition - increasingly widespread - is often referred to in popular psychology as Peter Pan Syndrome and is associated with the work of Dan Kiley; see his 1983 text, The Peter Pan Syndrome: Men Who Have Never Grown Up.
Note that whilst Peter Pan Syndrome is not recognised by the World Health Organization - nor listed in the Diagnostic and Statistical Manual of Mental Disorders - it has a significant overlap with narcissistic personality disorder.
