Showing posts with label daniel defoe. Show all posts
Showing posts with label daniel defoe. Show all posts

23 Dec 2020

On the Sex Life of Robinson Crusoe 2: The Man Who Married the Earth (and Sired Mandrakes)

Illustration from De Materia Medica (1460)
by Greek physician and botanist Pedanius Dioscorides

 

As we discovered in part one of this post, a bite from a red-spotted spider is enough to put any man off placing his penis inside a mossy hole in a tree, no matter how inviting the prospect is: click here.
 
However, this painful experience didn't stop Michel Tournier's reimagined Robinson Crusoe [a] from further experimenting with what is now known as ecosexuality; i.e., an eroticised form of nature worship [b]. In fact, following this incident Crusoe learns how to love his island as a whole and to conceive of the Earth as a living entity [c]
 
Awaking one day from an al fresco nap, he feels full of a queer new tenderness for Speranza:
 
"He felt as never before that he was lying on Speranza as though on a living being, that the island's body was beneath him. Never before had he felt this with so much intensity, even when he walked barefoot along the shore that was teeming with so much life. The almost carnal pressure of the island against his flesh warmed and excited him. She was naked, this earth that enveloped him, and he stripped off his own clothes. Lying with arms outstreched, his loins in turmoil, he embraced that great body scorched all day by the sun, which now exuded a musky sweat in the cooler air of the evening. He buried his face in the grass roots, breathing open-mouthed a long, hot breath. And the earth responded, filling his nostrils with the heavy scent of dead grass and the ripening seed, and of sap rising in new shoots. How closely and how wisely were life and death intermingled at this elemental level! His sex burrowed like a plowshare into the earth, and overflowed in immense compassion for all created things. A strange wedlock, consummated in the vast solitude of the Pacific! He lay exhausted, the man who had married the earth, and it seemed to him, clinging timorously like a small frog to the skin of the terrestrial globe, that he was swinging vertiginously with her through infinite space." [119-120]
 
That's a lovely piece of writing, reminiscent of D. H. Lawrence; one thinks of Birkin's marriage to the vegetation in Women in Love [click here]. 
 
Later, Crusoe discovers a "gently rolling meadow broken by folds and slopes and dressed in a covering of round-stemmed, pink-tinted grass" [120] that excites his interest and in which he deposits his sperm, thereby accomplishing a further stage in the metamorphosis he is undergoing. 
 
Now, according to the Freudian definition of the term, Crusoe - as one who deviates with respect to aims - is a sexual pervert. But Crusoe, however, sees things a little differently. Writing in his journal, he decides that were it not for a social mechanism directing a man's sex exclusively to the vagina of a woman, he would naturally allow it to return to its original source - Mother Earth.      
 
And to those who might protest that nothing can be born of such an incestuous union ... 
 
Nearly a year later, Crusoe "perceived that his love was bringing about a change in the vegetation of the pink coomb" [128]. At first, he had taken no notice of this, but then his attention was caught by the growth of a new plant that he hadn't seen anywhere else on the island:
 
"The plant had large, lace-edged leaves which grew in clusters at the level of the earth on a very short stalk. It bore white, sharp-scented blossoms with pointed petals and brown, ample berries which largely overflowed their calyxes.
      Robinson observed them with curiosity, but thought no more about them until the day when it became unmistakably apparent that they appeared within a few weeks at the precise place where he had sown his seed. Thereafter he ceaselessly pondered the mystery. He sowed his seed in the earth near the cave, but to no avail. It seemed that these plants could grow nowhere but in the pink coomb. Their strangeness restrained him from plucking them and dissecting and tasting them, as he might otherwise have done." [129]   
 
It's at this point in the text that ecosexuality gives way to Jewish mysticism concerning the mandrake, as Crusoe recalls a verse from the Song of Songs: The mandrakes give a smell, and at our gates are all manner of pleasant fruits, new and old, which I have laid up for thee, O my beloved. [d]    
 
"Could it be that Speranza was keeping that bibical promise? He had heard of the miracle of the plants, such as nightshade, which grow at the foot of gibbets, where the hanged have let fall their last drops of semen, and which are held to be the fruit of the crossing of man with earth. On the day when this thought occurred to him, he ran to the pink coomb and, kneeling beside one of the plants, very gently lifted it out of the ground, digging round the root with his hands. It was true! His love-making with Speranza was not sterile. The white, fleshy, curiously forked root bore an undeniable resemblance of the body of a woman-child. Trembling with delight and tenderness, he put the mandrake back, and pressed the earth around it as one puts a child to bed. Then he walked away on tiptoe, taking great care not to crush any of the other plants. 
      Thenceforward, blessed by the Bible, a stronger and more intimate bond united him with Speranza. [...] That this closer union represented a further step in the shedding of his human self was something of which he was certainly aware, but he did not measure its extent until he perceived, when he awoke one morning, that his beard, growing in the night, had begun to take root in the earth." [129-130]  
 
I can't imagine what Daniel Defoe - author of an asexual Crusoe - would make of all this. And I don't really care. For me, Tournier has produced an astonishing novel in which, as Deleuze notes, the isle of Speranza is as central to the story as Crusoe himself [e]. 
 
However, as we shall see in part three of this post, Crusoe's relationship with the island is not the end of his story and strange-becoming. How could it be? For as he himself recognises, his "love affair with Speranza was still largely human in its nature" [212]; he inseminated her body as though he were still lying with a woman. 
 
There has to be more than this; one has to be able to go still further; one has to discover at last that beyond all forms of terrestrial sexuality - forever subject to the spirit of gravity - lies solar sexuality ...    
 
Notes
 
[a] Michel Tournier, Vendredi ou les limbes du Pacifique (Éditions Gallimard,1967). The text I'm using here is the English translation, simply entitled Friday, trans. Norman Denny, (John Hopkins University Press, 1997). All page numbers given in the post refer to this edition.   
 
[b] I have written elsewhere on Torpedo the Ark about ecosexuality: click here and here, for example. I think it's fair to say I mostly regard it as a morally conventional, all-too-human form of hippie idealism masquerading as queer ecology. Ultimately, I prefer my own model of floraphilia as a form of perverse materialism. That said, since it's Christmas week, lots of love and best wishes to Beth and Annie.      
 
[c] This idea is, of course, a very old one and in Crusoe's time even respectable scientists still believed the Earth to be alive or some kind of superorganism. This view eventually fell from favour, however, and, as a Nietzschean, I'm highly suspicious of attempts to revive it. For whilst it's true that Nietzsche champions the sovereignty and sanctity of the Earth, I would refer those who would absorb his philosophy into their own system of environmental ethics or eco-vitalism to The Gay Science, III. 109, in which he instructs us to always remain on our guard against thinking that the world (and/or the universe) is a living being. 
 
[d] I'm quoting from the King James Version of the Bible, Song of Songs 7:13. 
      It should be noted that it wasn't just the ancient Jews who were fascinated by the mandrake. Because its roots have hallucinogenic properties and often resemble a human figure, they have been associated with a variety of superstitious practices and beliefs throughout history and are still regarded as sacred plants within contemporary pagan circles.       
 
[e] See Gilles Deleuze, 'Michel Tournier and the World Without Others', in The Logic of Sense, trans. Mark Lester with Charles Stivale, ed. Constantin V. Boundas, (The Athlone Press, 1990), Appendix II, section 4, pp. 301-321. A brilliant reading of Vendredi ou les limbes du Pacifique as one would expect. 
 
 
The third and final part of this post on the sex life of Robinson Crusoe - sun-fucked - can be read by clicking here.
 
 

22 Dec 2020

On the Sex Life of Robinson Crusoe 1: Getting Jiggy with a Soap Bark Tree

Even a tree has its own daimon. 
And a man might lie with the daimon of a tree. 
- D. H. Lawrence 
 
 
I. 
 
As regular readers will know, dendrophilia has featured in several posts on Torpedo the Ark, including, most recently, one in which I discuss an illustration by Wallace Smith for Ben Hecht's controversial novel Fantazius Mallare (1922): click here
 
However, as you can never have too much of a wood thing, I thought I might share details of the happy liaison between Michel Tournier's reimagined Robinson Crusoe [a] and a fallen soap bark tree (Quillaja saponaria) ...    
 
 
II.
 
With time on his hands, Crusoe develops many new interests. Among these, is an interest in the "marital rites of the creatures surrounding him" [113]. Not the mammals and birds, "whose couplings seemed to him a repulsive caricature of human love" [113], but the insects. 
 
He was particularly fascinated by the role the latter play in pollination, a process that seemed to him "both moving and supremely elegant" [113] and he spent many long hours observing the queer relationship that existed between a wasp and an orchid [b]
 
This "wonderful mingling of subterfuge and ingenuity" [115], makes him not only reconsider his religious beliefs - "had the natural world been contrived by an infinitely wise and majestic God, or by a baroque Demiurge driven to the wildest whimsicalities by his love of the bizarre?" [115] - but also wonder whether there were trees on the island which "might be disposed to make use of himself" [115] in a similar manner that the orchid exploits the wasp ...
 
Suddenly, "the branches of the trees were transformed in his mind into voluptuous and scented women whose rounded bodies were waiting to receive him" [115]. And so Crusoe sets off to find a suitable lover:     

"Searching the island from end to end, he finally discovered a quillai tree, which had been blown over by the wind but not wholly uprooted. The trunk, which lay on the ground, ended in a fork of two main branches rising a little into the air. The bark was smooth and warm, even downy at the point of the fork, where there was a small aperture lined with silky moss.
      Robinson hesitated for some days on the threshold of what he later called his 'vegetable way'. He hung about the quillai with sidelong glances, discovering in the two branches thrusting out of the grass a resemblance to huge, black, parted thighs. Finally he lay naked on the tree, clasping the trunk with his arms while his erect penis thrust its way into that mossy crevice. A happy torpor engulfed him. He lay dreaming with half-closed eyes of banks of creamy-petaled flowers shedding rich and heady perfumes from their bowed corollas. With damp lips parted they seemed to await the gift to be conferred on them by a heaven filled with the lazy drone of insects. Was he the last member of the human race to be summoned to return to the vegetative sources of life? The blossom is the sex of the plant. Innocently the plant offers its sex to all as its most rare and beautiful possession. Robinson lay dreaming of a new human species which would proudly wear its male and female attributes on its head - huge, luminous, scented." [115-116]
 
Alas, this blissful life is fated not to last beyond several happy months. First the rains come. Then a spider ruins everything: for one day, as he lay spread upon the wooden body of his beloved soapbark, "a searing pain in his gland brought him sharply to his feet" [116] and he spotted a large red spider running along the trunk of the tree before vanishing into the grass. "It was some hours before the pain abated, and his afflicted member looked like a tangerine." [116] 
 
Ouch! Perhaps not surprisingly, this incident puts Crusoe off dendrophilia: 
 
"Robinson had suffered many misadventures during his years of solitude amid the flora and fauna of a world enfevered by the tropical sun. But the moral significance of this episode was unavoidable. Although it had been caused by the sting of a spider, could his malady be regarded as anything other than a venereal disease [...]? He saw in this a sign that the 'vegetable way' might be no more than a blind alley." [116] 
 
That's a shame - and I think this an absurd reading of what happened. However, it has the significant effect of transforming Crusoe from a dendrophile into a full-blown ecosexual, as we will see in part two of this post ... [click here].    
 
 
Notes
 
[a] Michel Tournier, Vendredi ou les limbes du Pacifique (Éditions Gallimard,1967). The text I'm using here is the English translation, simply entitled Friday, trans. Norman Denny, (John Hopkins University Press, 1997). All page numbers given in the post refer to this edition.
      The subject of Crusoe's sexual life whilst on his island has intrigued many authors. Diana Souhami, for example, wrote an award-winning study of Alexander Selkirk, the real-life castaway whose story inspired Daniel Defoe, in which she cheerfully speculated on his masturbatory habits and erotic preferences, ranging from buggery to bestiality. What she doesn't suggest, however, is that Selkirk/Crusoe may also have been a tree-hugger, in the carnal sense. If you want to know about that, you have to read Tournier's novel.
      See Diana Souhami, Selkirk’s Island, (Weidenfeld and Nicolson, 2001). Best-known for her unconventional biographies of famous lesbians, this book was perhaps a bit of a surprise for Souhami's readership. Combining elements of fiction and fantasy with fact, it is difficult to categorise as a work. It should probably be noted, however, that Selkirk's own memoirs contain no hint of impropriety with goats.  

[b] Gilles Deleuze, who praised Tournier's novel - suggesting that it traced a genesis of perversion - would later, in collaboration with Félix Guattari, use this double figure of the wasp and orchid to illustrate the concepts of rhizome, becoming, and deterritorialization. Like Crusoe, Deleuze and Guattari were fascinated by the manner in which certain orchids display the physical and sensory characteristics of female wasps in order to entice male wasps into unnatural relations and co-opt them into their own reproductive cycle. 
      See Deleuze and Guattari, Mille plateaux (1980), trans. into English as A Thousand Plateaus by Brian Massumi, (University of Minnesota Press, 1987). The material I refer to is in the Introduction: Rhizome. As far as I am aware, Tournier has never received the credit he is due for initiating this line of thinking; indeed, there is but a single reference to Tournier in A Thousand Plateaus (p. 261) and this quotes from his later novel Les Météores (1975), not Vendredi ou les limbes du Pacifique
      However, Deleuze did write a lengthy essay on the latter, which was published as 'Michel Tournier and the World Without Others' in an appendix to The Logic of Sense, trans. Mark Lester with Charles Stivale, ed. Constantin V. Boundas, (The Athlone Press, 1990), pp. 301-321. 
 
 
The third and final part of this post on the sex life of Robinson Crusoe - sun-fucked - can be read by clicking here.  
 
 

30 Nov 2019

In Memory of Gentleman Jack Sheppard

Jack Sheppard (1702 -1724)
Engraving by George White (1728) 
based on a portrait by James Thornhill (1724)

I.

I have to admit, I have reservations about memoralising the career of a petty criminal; such low-lives, always ducking and diving from the law, are rarely as charming in real life as we like to imagine them. Just ask the woman working at my local supermarket who was spat at and punched in the face last week after challenging a would-be shoplifter ...

Having said that, it would be churlish to deny the popular appeal of Jack Sheppard; a flash young tea leaf and audacious jailbreaker who captured the sympathy and affection of many a Londoner, both before and after his execution at Tyburn, aged 22, in November 1724.


II. 

Sheppard was an East End boy who decided he didn't want to be a carpenter, preferring instead to make his money from skullduggery. It was a fateful choice: Sheppard was arrested and imprisoned five times in 1724 - suggesting he was either very unlucky or pretty fuckin' feckless as a criminal - and although he managed to escape four times, by the end of the year he was swinging from the gallows.

However, his death at such a tender age only helped establish his legend. An autobiographical sketch - thought to have been ghostwritten by Daniel Defoe - sold like hot cakes at his execution and there followed several plays based upon it, much to the annoyance of the authorities who were concerned that impressionable young rascals keen to play Jack the Lad would attempt to copy his behaviour.* 

In some ways, Sheppard makes an unlikely role model. For not only was he useless at evading capture by the law, but he was also physically unimposing; small in size and lightly built, Sheppard had a pale complexion and suffered with a slight stutter.

However, these things were compensated for by a winning smile and a quick wit that made him popular with both sexes in the taverns of Drury Lane, such as the Black Lion, where he met his future partner in crime Joseph 'Blueskin' Blake and the buxom young brass Elizabeth Lyon (aka Edgeworth Bess), who became his regular mistress.   

From being a good, hardworking young man with career aspirations, Sheppard now threw himself enthusiastically into an illicit lifestyle of booze, whores, and criminal activity. Whilst he soon progressed to burglary and highway robbery, his first recorded theft was that of two silver spoons pinched from a tavern in Charing Cross, so hardly the crime of the century.

As indicated, however, it was his talent for breaking out of jail that really captured the popular imagination, including an escape from Newgate Prison where he was awaiting execution having been convicted of theft at the Old Bailey. Sheppard managed to remove an iron bar from his cell window, climb through the small gap, then calmly walk past the guards dressed in the women's clothing that accomplices had previously smuggled in.     

Although he was soon recaptured and returned to the his cell at Newgate, he was now visited by the great and the good who were all keen to see for themselves Gentleman Jack Sheppard. When guards found files and other tools hidden in his cell, he was transferred to what we would now describe as a high security unit, clapped in leg irons, and chained to the floor.

Cheekily informing his gaolers that these measures were not going to hold him, Sheppard even demonstrated how he might use a small nail to get free. He was rewarded for this by being bound with still heavier chains and handcuffed. Sheppard, however, continued to make light of his predicament and, astonishingly, he got away once more - still wearing his leg irons!

This miraculous escape so amazed everyone that the belief grew that Sheppard must have had the assistance of the Devil himself. Whether that's true or not, Sheppard's final stint of freedom was shortlived, if admittedly spent in some style; having broken into a pawnbrokers on Drury Lane, Sheppard helped himself to a black silk suit, several rings, and a wig in order to enjoy a night on the Town, posing as a dandy highwayman with a girl on each arm.

He was arrested, for the final time, on the morning of November 1st, still dressed in his stolen clobber and still very drunk.


III.

This time, the authorities took no chance. Sheppard was kept under constant guard and loaded down with 300lbs of iron weights. A petition, signed by several prominent people, asking that his death sentence be commuted was ignored. Offered the chance to have it reduced by informing on his associates, Sheppard, to his credit, refused to grass.

On November 16th, he was taken to the gallows at Tyburn to be hanged. A joyous procession accompanied him through the streets of London; crowds were said to have numbered 200,000 (one third of the population at that time). Hopes of a daring last minute escape were thwarted when prison guards found and confiscated a pen knife hidden about his person.

After Sheppard's body was cut down, the crowd pressed forward to stop its removal by the authorities. When his badly mauled corpse was finally retrieved, it was buried in the churchyard of St. Martin-in-the-Fields.

And thus ends the (really rather sorry) tale of Jack Sheppard ...

Though, as I say above, his posthumous legend has continued to grow. Sheppard now serves, for example, as a figure of inspiration for the punk fashion entrepreneur Joe Corré and his team at Child of the Jago: click here.

I mention this not because I particularly share Corré's sartorial sense or aesthetic vision - and I certainly don't subscribe to his (and his mother's) eco-political agenda - but for sentimental reasons (i.e., much the same sort of stupidity as those who champion Sheppard as a working-class hero or a potentially revolutionary figure of some kind).   


Notes

* Perhaps the best-known play that was at least partly based on Sheppard's life is John Gay's The Beggar's Opera (1728); Sheppard was the inspiration for the figure of Macheath.


23 Aug 2019

Gymnosophy 4: Oh Yes They Call it the Streak (Boogity, Boogity)

Streaker Michael O'Brien being escorted from the field at Twickenham
Photo by Ian Bradshaw (20 April 1974)


I. Don't Look Ethel

Released in the late-spring of 1974, The Streak was a smash hit single written and performed by the country western singer Ray Stevens, that comically cashed in on the then popular craze of streaking; i.e. the act of running naked through a public place - usually as a prank, although sometimes as an act of protest - and often chased by officials or policemen lending it Keystone Cops appeal.

The Streak sold over five million copies and topped the charts in both the US and UK. I didn't buy it, but I remember it with a certain fondness as one of the tunes of my childhood - probably due to the fact the record features a slide whistle - even if I found the phenomenon to which it referred somewhat disturbing.   


II.  A Brief History of Streaking

Like most things, streaking isn't without a longer and more complex history than people imagine ...

One might, for example, discuss it in relation to the behaviour of the Neo-Adamites in medieval Europe, who passed naked through towns and villages; or, indeed, the 17th-century Quaker Solomon Eagle, mentioned by both Daniel Defoe and Samuel Pepys, who would run naked through the streets of London with a burning brazier upon his head (à la Arthur Brown), crying Repent! Repent!   

Having said that, I'm not entirely convinced of the legitimacy of attempting to tie streaking in the modern sense to Christian asceticism; nor even to place it within the context of naturism. It's also distinct from flashing in the pervy sense, in that the intent is generally not to cause shock or outrage.* Ultimately, it makes more sense to see it as something that has its origins within American campus culture, with incidents of (male) college students running around naked beginning in the early 19th-century.  

It wasn't until the 1960s and '70s, however, that streaking became a much wider cultural phenomenon; suddenly everyone wanted to get naked and exhibit themselves to the world and its cameras. Even supposedly uptight Brits were throwing caution - and their clothes - to the wind and you could hardly turn on the TV without having to see some idiot interrupt the rugby or cricket.

Whilst many streakers seem to have a penchant for running naked in front of cheering and/or jeering crowds at sporting events, perhaps the most widely seen streaker in history was Robert Opel who ran across the stage at the Oscars in 1974 - an event broadcast on live tv and so witnessed by millions of viewers around the world.

Bemused host David Niven quipped: 'Isn't it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and revealing his shortcomings.' Which is funny, but not quite the amusing ad-lib that people at the time took it to be; for there's evidence to suggest that the whole thing was a stunt that had been arranged by the show's producer and that Niven's line was scripted.      

In Hollywood, even nudity is a game of artifice and spontaneity well rehearsed ...


Notes

* It should be noted, however, that unlike in the '70s, anybody now arrested for streaking in the United States risks being charged with indecent exposure and consequently branded a  sex offender upon conviction. Just one more example of the neo-puritanism that blights our times ... 

Play: Ray Stevens, 'The Streak', single release from the album Boogity Boogity (Barnaby, 1974): click here

Gymnosophy 1: naked philosophers: click here.

Gymnosophy 2: naked Germans: click here.

Gymnosophy 3: naked witches: click here