You Don't Have to Be Yayoi Kusama to Make Pumpkin Art

1: Portrait of a Pumpkin

2: Sorry Cinderella - It Looks Like You're Gonna Be Walking Home  

Stephen Alexander (2024)

 

Last week, on a freezing cold day, I paid a visit to the Shapero Gallery on Bond Street, in London's Mayfair, to see the Modern Muse exhibition, featuring works by various twentieth and twenty-first century artists [1]. 

 

Prints by all the usual suspects were included - Picasso, Warhol, Hockney, and (groan) Banksy - but there were also works by artists with whom I'm rather less familiar, such as Yayoi Kusama, whose black and white pumpkin I particularly appreciated [2].

 

For whilst traditionally a muse is conceived as an inspirational female figure, either mortal or divine, that seems a bit narrow and I think and we should open up the concept to include animals, plants, and even inanimate objects. 

 

After all, we're not ancient Greeks. And there's really no need to personify and feminise those forces and desires that fire the human imagination. 

 

Surely, like Kusama, we can all find inspiration in a piece of winter squash and a rotting vegetable might serve as a muse just as easily as Venus rising from the waves, or the lovely face of Kate Moss. 

 

The genre distinction between portraiture and still life is, I think, essentially untenable. Leonardo da Vinci's Head of a Young Girl (1506-08) is really no different from the visual representation of a head of cabbage - perhaps that's what Claude Lalanne was trying to tell us all along [3].  

 

And so, with all this in mind, I thought I'd follow Kusama's lead and turn to the humble pumpkin as muse - the above pictures being the result. The first, is a simple portrait; whilst the second, a rather more violent and complex image, deals with themes of death, decay, and disappointment.          

 

 

Notes

 

[1] For more information on the Shapero Gallery, please click here. For details of The Modern Muse exhibition in particular, click here.  

 

[2] The Japanese artist Yayoi Kusama - now in her 96th year and still going strong - has had a lifelong fascination with pumpkins and has elevated everybody's favourite squash (and organic Halloween prop) to iconic status in her art. As one critic writes: 

      "Equally rooted in personal memories and universal themes, her pumpkins rival the recognisability of Warhol's Soup Cans. Whether capturing the essence of infinity with her intricate net patterns or playing with a kaleidoscope of colours, Kusama's Pumpkins offer a visual feast that resonates globally."

      See Essie King's article, '10 Facts About Yayoi Kusama's Pumpkins', on myartbroker.com (8 Dec 2023): click here. 

 

[3] In 1968, Lalanne produced an ambitious sculpture entitled L'Homme à la tête de chou, combining human and vegetable. Serge Gainsbourg famously purchased the piece and it inspired his 1976 concept album of the same title. Lalanne produced a second version of the work in 2005, which was donated (in lieu of inheritance tax) to the Musée des Arts Décoratifs in 2021.

      Readers who are interested in knowing more on Lalanne, Gainsbourg, and the man with the cabbage head might like to see my post of 16 June 2023: click here. 

Claude Lalanne, Serge Gainsbourg, and the Man with the Cabbage Head

 

Claude Lalanne's L'Homme à tête de chou, as featured on 

the cover of  Serge Gainsbourg's 1976 album of the same title 

 

 

Claude Lalanne was an avant-garde French sculptor and designer, who often worked in collaboration with her husband, François-Xavier Lalanne, even though they had distinctively different styles and ideas.

 

Inspired by a whimsical mix of Surrealism, Art Nouveau, and her love of plants, Claude Lalanne produced some astonishing pieces (including items of furniture and jewellery) and her hybrid (often bizarre) style of decorative design has captured the imagination of many in the art world, as well as leading fashion designers including Tom Ford, Marc Jacobs, and Yves Saint Laurent, the latter of whom commissioned Lalanne to create several mirrors adorned with electroplated leaves and branches [1]

 

In fact, for anyone who wanted an apple with lips, a rabbit with wings, or a man with a cabbage head, Lalanne was the go-to artist; Salvador Dalí once asked her to make him some cutlery and Serge Gainsbourg famously acquired her piece entitled L’homme à tête de chou, featuring it on the sleeve of his 1976 album of the same title [2], thereby bringing her work to the attention of a new and wider audience. 

 

Amusingly, Lalanne also made a whole series of chicken-legged cabbage sculptures which she called choupattes - a series she added to (with the assistance of her daughter and granddaughter) right up to her death, aged 93, in 2019. 

 

 

Claude Lalanne: Choupatte (2014 / 2017)

Bronze (57.5 x 63.5 x 63.5 cm)

Ben Brown Fine Arts

  

 

Notes

 

[1] After his death in 2008, Yves Saint-Laurent's fifteen Lalanne designed mirrors fetched more than $2m at auction. 

      It might also be noted that Lalanne collaborated with the designer on his 1969 Empreintes collection, for which she made bronze breastplates cast from the chest of his favourite model. It was Saint-Laurent's only collaboration with an artist. 

 

[2] Although not as celebrated as Histoire de Melody Nelson (Philips Records, 1971) - considered by many to be Gainsbourg's most influential and accomplished work - L'Homme à tête de chou (Philips Records, 1976) does have its moments and dark delights. It tells the story of a middle-aged man obsessively in love with a young and free-spirited shampoo girl, Marilou. Driven mad by jealousy and desire, he eventually murders her with a fire extinguisher, concealing her body beneath the foam. Unsurprisingly, he ends his days in an inane asylum.

      Claude Lalanne's sculpture, owned by Gainsbourg, is pictured on the front sleeve of the album sitting in the courtyard of his house in Paris (5 bis Rue De Verneuil). Click here to listen to the title track of L'Homme à tête de chou uploaded to YouTube by Universal Music Group.