According to Mick Jones, speaking in an interview with GQ in 2011, there were two types of punk: those who wanted to destroy and those who wanted to create ...
Clearly, the Sex Pistols wanted to destroy; they announced the fact on their first single and on the shirts that Uncle Malcolm and Auntie Vivienne designed for them. They were into chaos, not music. And when asked what he intended to do about the rapid post-War decline of the UK, I'll always remember with a smile Steve Jones saying: Make it worse.
Like Nietzsche, the Sex Pistols wanted to consummate nihilism by accelerating the process; to kick over that which was already rotten and threatening to fall; to go still further in the schizonomadic direction of decoding and deterritorialization. Certainly for McLaren, the most revolutionary of strategies was to unleash all kinds of forces and flows and push things to the extreme, which is to say, their exterior and absolute limit.
Clearly, the Sex Pistols wanted to destroy; they announced the fact on their first single and on the shirts that Uncle Malcolm and Auntie Vivienne designed for them. They were into chaos, not music. And when asked what he intended to do about the rapid post-War decline of the UK, I'll always remember with a smile Steve Jones saying: Make it worse.
Like Nietzsche, the Sex Pistols wanted to consummate nihilism by accelerating the process; to kick over that which was already rotten and threatening to fall; to go still further in the schizonomadic direction of decoding and deterritorialization. Certainly for McLaren, the most revolutionary of strategies was to unleash all kinds of forces and flows and push things to the extreme, which is to say, their exterior and absolute limit.
The Sex Pistols, we might say, are rock 'n' roll's anarchic promise brought to fulfilment; and they are also the exterminating angels who came to destroy rock 'n' roll once and for all, exposing its complicity with capital and the manner in which the music business ultimately serves to keep young people under control.
Their final great act was not their astonishing self-immolation on stage at the Winterland, but the destruction of their own legend in The Great Rock 'n' Roll Swindle - a project that incriminates everyone, including the fans.
Their final great act was not their astonishing self-immolation on stage at the Winterland, but the destruction of their own legend in The Great Rock 'n' Roll Swindle - a project that incriminates everyone, including the fans.
The Clash, in contrast, were typical type two punks: "trying to create something better for everybody", as Mick Jones says. Social justice warriors with zips and safety pins; or nice middle-class boys pretending to be outlaws, as Sebastian Horsley memorably described them.
The problem is that those who speak about initiating a new wave, often secretly wish to shore up the old order and establish successful careers within it. Thus it was, for example, that for all their anti-American posturing and talk of phoney Beatlemania having bitten the dust, the Clash were desperate to make it big in the US and soon fell into all the usual rock star clichés. Indeed, they even ended up opening for the Who at Shea Stadium:
And all the young punks looked from Joe to Roger and from Mick to Pete; but already it was impossible to say which was which ...
Finally, in 2003, the surviving members of the Clash were all present and correct to meekly accept with gratitude their induction into the Rock 'n' Roll Hall of fame - an institution which Rotten amusingly branded a piss-stain on humanity.
Of course, it's true that - eventually - we have our fill of destruction and must turn again to the task of creation; that once all the old forms are shattered and all the old icons toppled, we need to find a new way of living beneath the open sky. Only an idiot mistakes the ruins as an end goal.
But - and it's an important but - we should be extremely wary of those idealists who appear overly keen to start building the New Jerusalem; especially when using the same old tools and materials.
Notes
To read the interview with Mick Jones, by Alex Pappademas, in GQ (2 Nov 2011): click here.
To watch the Sex Pistols performing Anarchy in the UK during their final show (Winterland, San Francisco, 14 Jan 1978), click here. They tweak the lyrics, but the message remains the same: Destroy.
To watch a 7 min promo film for the Clash Live at Shea Stadium album (Epic, 2008), click here. The actual show took place on 13 Oct 1982.
For Sebastian Horsley's take on the difference between the Sex Pistols and the Clash, click here.
To watch the Sex Pistols performing Anarchy in the UK during their final show (Winterland, San Francisco, 14 Jan 1978), click here. They tweak the lyrics, but the message remains the same: Destroy.
To watch a 7 min promo film for the Clash Live at Shea Stadium album (Epic, 2008), click here. The actual show took place on 13 Oct 1982.
For Sebastian Horsley's take on the difference between the Sex Pistols and the Clash, click here.
