There's already a life-size bronze statue of D. H. Lawrence, by Diana Thomson, standing in the grounds of Nottingham University; a barefoot figure with his trousers rolled up (don't ask me why) and rather awkwardly holding a blue flower. In addition, there's a bronze bust of Lawrence, also by Thomson, situated in the Nottingham Castle Museum and Art Gallery.
However, increasingly proud of their local boy - or, rather, increasingly hopeful that such works attract visitors and that they might capitalize on his controversial reputation and continuing popularity - plans are being made for a new work to be erected in his hometown of Eastwood.
Lawrence scholars, members of the D. H. Lawrence Society, and staff at the Lawrence Heritage Centre, all met recently with representatives of the borough council to discuss ideas. Also present - and spearheading the campaign for a new statue - was super-glamorous local MP, Gloria De Piero, who, according to a press report, thinks it ridiculous that the Lawrence name isn't being exploited to the maximum; never mind what he contributed to English letters, just think what he can do for jobs and business!
My own view on this matter is rather closer to that of Lawrence activist David Brock, who argues that if there's to be a new statue, then it needs to be a creatively challenging work that isn't there simply to attract tourists and amuse the locals. If it were up to me, I would go for a Classical style nude terracotta figure, sans fig-leaf, but with an erection of priapic proportions from which hung a sign saying: The phallus is the bridge to the future.
This, I think, would be true to the Lawrence who wanted to shock what he described as people's castrated spirituality and remind us that the phallus is a great sacred symbol of potency and the active life which has been denied to us within Christian moral culture.
My own view on this matter is rather closer to that of Lawrence activist David Brock, who argues that if there's to be a new statue, then it needs to be a creatively challenging work that isn't there simply to attract tourists and amuse the locals. If it were up to me, I would go for a Classical style nude terracotta figure, sans fig-leaf, but with an erection of priapic proportions from which hung a sign saying: The phallus is the bridge to the future.
This, I think, would be true to the Lawrence who wanted to shock what he described as people's castrated spirituality and remind us that the phallus is a great sacred symbol of potency and the active life which has been denied to us within Christian moral culture.