Although
we might trace the history of the photo booth back to the late
19th-century, I think it's fair to say that what most people understand
to be a photo booth - coin-operated and complete with curtain - didn't
debut until September 1925, on Broadway, in NYC.
Known as the Photomaton,
it was the patented invention of a Jewish immigrant from Russia, Anatol
Josepho, which would take, develop, and print a strip of eight snaps in
under 10 minutes for just 25¢.
In
the first six months of operation, the Photomaton captured the images
of 280,000 people and soon booths were being placed across the United
States. So popular was the Photomaton, that white-gloved attendants
stood by the machine during hours of operation in order to control the
crowds (and provide any necessary maintenance).
In 1928, Josepho - who had arrived in America only five years earlier - sold the rights to his invention for $1,000,000 and guaranteed future royalties.
The new master of the Photomaton, Henry Morgenthau Sr. - a lawyer and businessman who amassed a fortune from real estate and once served as the US ambassador to the Ottoman Empire - told The New York Times that the Photomaton would enable him to do in the field of photography what Henry Ford had accomplished in the automobile industry.
When, in 1929, the Photomaton was introduced into the European market, many notable figures were keen to have their pictures taken, including the artists André Breton and Salvador Dalí.
So perhaps it's not really surprising that Andy Warhol would later reveal himself to be a big fan of the photo booth, for whom the latter represented "a quintessentially modern intersection of mass entertainment and private self-contemplation" [1].
I'm sure Warhol also recognised the erotic nature of such an intimate space; once squeezed inside a photo booth with someone on your knee, it's almost impossible not to cop a feel or snatch a kiss.
But for him, as an artist, the real fascination was with the actual strip of single frame images produced: "The serial, mechanical nature of the strips provided Warhol with an ideal model for his aesthetic of passivity, detachment, and instant celebrity." [2]
Notes
[1] I'm quoting from a text posted on the website of The Metropolitan Museum of Art to accompany a Photobooth Self-Portrait produced by Andy Warhol (c. 1963): click here.
[2] Ibid.
See also: Jason Fate, 'The New Warhol Photobooth!' (2 August 2013), on the behind the scenes blog of The Andy Warhol Museum: click here.
The 4-frame strip of images used to illustrate this post - featuring an anonymous young couple - was found in a photo booth in Ramsgate, in November 1986.