Aphrodite's Girdle

Aphrodite's Girdle, contributed by Mary Metzer to

The Museum of Fictional Literary Artifacts [1]

 

 

I. 

 

The girdle has a long, long history, reaching back into an ancient time that fashion historians term BP (Before Playtex). 

 

Perhaps the most famous girdle of all was one said to have been worn by Aphrodite, the Greek goddess of love - although whether it was recognisably a girdle in the modern sense is debatable [2]. 

 

According to Homer, the girdle was imbued with the magical power to arouse desire in mortals and gods alike [3]. Thus, it can legitimately be regarded as an erotic accessory rather than merely a garment worn for practical reasons; Aphrodite, one assumes, didn't require any help maintaining her shape.  

The same might not be true of Hera, who had a fuller, more matronly figure and sometimes borrowed the girdle from Aphrodite when looking for a little extra something in order to capture the attentions of her husband (and brother) Zeus [4]. 

 

 

II. 

 

Interestingly, later authors claim that Aphrodite also lent her embroidered girdle to Helen, to ensure that Paris would succumb to her natural charms. 

 

But Aphrodite was always keen to have the item returned to her as soon as possible, however, and the 18th-century German poet and playwright Schiller explains why that is so in his long philosophical essay On Grace and Dignity (1793) [5]. 

According to Schiller, Aphrodite - or Venus as he prefers to call her in the Roman manner - can be stripped naked and still remain beautiful; but without her girdle she lacks grace - and without grace she is no longer so alluring. 

 

In other words, even a naturally beautful woman is desexualised the moment she is stripped naked; something that Roland Barthes picks up on in his essay on striptease in Mythologies. 

 

Ultimately, it's the clothes and jewellery and make-up - "in short the whole spectrum of adornment" [6] that give the living flesh its erotic fascination and places the body within the realm of luxurious objects.

   

 

Notes

 

[1] The Museum of Fictional Literary Artifacts is an amusing digital project created by students at Dakota State University. The aim is to establish an online archive of imaginary objects that might - had they been actual things - have been sought after by collectors. The MFLA houses a vast number of such artifacts found in all genres of literary work, from novels to comic books. For more details, please click here.  

 

[2] The Girdle of Aphrodite has variously been imagined as a strap, a belt, or a breast-band rather than a girdle as we might think of it today in a post-Playtex world of rubber. Whatever it was, Aphrodite's girdle has been a popular theme in the arts and literature of Europe, particularly during the Baroque and Neoclassical periods.  

 

[3] See Homer, Iliad 14: 159-221. Homer. An English translation of the full text by A.T. Murray can be found on the Perseus Digital Library: click here to read Book 14.

 

[4] Theirs was not what you might call a happy marriage; she may have found him agreeable at first - just as he found her sexually attractive - but their relationship is marked by infidelity, jealousy, and violence. 

 

[5] Über Anmut und Würde (1793) is an attempt to reconcile aesthetics and ethics based upon the philosophy of  Immanuel Kant. For Schiller, the trick is to synthesise the physical and spiritual nature of man and thus produce a beautiful soul. An English translation of this essay by George Gregory can be read as a pdf online via the Schiller Institute website: click here.

 

[6] Roland Barthes, 'Sriptease', in Mythologies, trans. Annette Lavers, (The Noonday Press, 1991), p. 85.   

 

  

On American XL Bully Dogs and Ancient Greek Hounds

An American XL bully and the Ancient Greek hell-hound Cerberus 

as imagined by William Blake (c.1824-27)

 

 

 I. 

 

There are a lot of stories in the news at the moment about American XL bullies and, apparently, the breed will be banned in the UK as of the end of this year under the Dangerous Dogs Act (1991). 

 

Clearly, that's a good thing, although, in my opinion, it doesn't go far enough and there should be no certificates of exemption issued to owners no matter how fit and proper they are deemed to be. 

 

You can't have ultra-aggressive mutts with stocky, muscular bodies and powerful jaws running rampage on the streets and in the parks, causing serious injury to people and other canines. Six of the ten fatal dogs attacks in the UK last year were due to these illegally bred beasts.       

 

However, if you think the XL bully living next door is a nightmare and genuine threat to the safety of your children, then probably best you don't read the next section of this post in which we discuss a three-headed hound of Hades ...

 

 

II. 

 

According to ancient Greek mythology, guarding the gates of the Underworld is a monstrous, raw flesh-devouring dog named Cerberus, whom you really don't want to mess with (i.e., if you're dead, it's probably best to accept the fact and not attempt to leave). 

 

Cerberus was the polycephalic offspring of Typhon and Echidna and described as having a serpent for a tail and snake-heads protruding from multiple parts of his body, ensuring that his bite was infinitely worse than his bark. 

 

Thanks to his superhuman strength - and a wooden club - Heracles was just about the only one who could handle him, but, even then, I wouldn't have granted a dog license to this demi-god, nor allowed him to arrogantly parade Cerberus on a chain leash through the streets of Greece.       

 

A ravenous animal like Cerberus belongs in Hades ensuring the dead don't come back to extract their revenge upon the living. Alternatively, let him guard over the gluttons who inhabit the Third Circle of Hell [1], giving them a few hard bites in order to encourage them to repent of their sins and eat less. 

 

 

III.      

Finally, just to end on a slightly happier, more dog-friendly note, let me remind readers of another mythological mutt from ancient Greece; one much-loved by Odysseus and called by the name Argos ... 

 

According to Homer [2], after fighting in the Trojan War and battling monsters for twenty-odd years, Odysseus finally made it home to Ithaca. But as he approached his palace, he noticed an old dog lying on heaps of mule and cattle dung piled up outside the front gates. The poor creature was in a terribly neglected state, infested with fleas and other parasites. 

 

Nevertheless, when Argos heard a familiar human voice, he raised his tired head and pricked up his ears. As soon as he was sure it was his master, he wagged his tail in excitement, but lacked the strength to get to his feet and greet Odysseus properly.  

 

Seeing this - and touched by the fact that his dog clearly still remembered him after such a long time - Odysseus wiped away a tear, although, in his heart, he was angry that Argos had not been properly cared for in his absence and had fallen on hard times.

 

Tragically, having witnessed his master's homecoming, the loyal dog passed into the darkness of death - but what a good boy he was!

 

 

Argos and his master Odysseus [3]

Print by Frederick Stacpoole after Briton Rivière (1885)

Notes

 

[1] The third circle of hell, as depicted in Dante's Inferno, is reserved for the punishent of those who have committed the sin of gluttony; a realm of freezing mud which, just to make matters worse, is also inhabited by the three-headed hound Cerberus, who torments the excessively greedy by tearing at their flesh.

 

[2] See Homer's Odyssey, Book 17, lines 290-327. My paraphrased account is based on various English translations and MLG's recollection of the tale, particularly with reference to Argos.

       

[3] Print by Frederick Stacpoole, after Briton Rivière (1885); held in the collection of the British Museum under the title Ulysses and Argus. Click here for more information.

 

 

For a follow-up post to this one on a related theme, please click here. 

On Unity, Diversity and Unity in Diversity

"Our ability to achieve perfect unity in diversity 

will be the beauty and the test of our civilisation." [1]

 

  

I. 

 

Whilst I wouldn't quite define myself as a cockney cowboy, nevertheless, like Jimmy Pursey, I grew up in a time and place in which solidarity was a value the working class prided themselves on and the idea of strength through unity was an unquestionable truth on both the left and right of the political spectrum [2]. 

 

If the kids - or the workers of the world, or the German people - were only united, then they'd never be divided and all would come good; unity not only making strong, but happy in a state of harmony and wholeness. 

 

 

II. 

 

Of course, such idealism is highly suspect; a dangerous utopian (and authoritarian) fantasy. From an early age, I was always more excited by conflict and controversy rather than seeking consensus; difference and diversity, not uniformity. That's why the McLarenesque model of anarchy promoted by the Sex Pistols appealed more than the progressive politics of punk social workers, the Clash.

 

However, these days I roll my eyes to heaven whenever I hear the word diversity; particularly when it's tied to equity and inclusion and falls from the mouth of someone who ultimately desires unity in diversity - i.e., a form of dialectical synthesis in which diverse characteristics are finally unified (and utilised) in some higher goal or purpose.  

 

Like many other terms that were once part of a radical vocabulary - otherness, queerness, and even the prefix trans - diversity has been co-opted by woke humanists espousing multiculturalism and waving rainbow flags, whilst all the time working to create a global citizenship, who belong to One World (and One World Order). 

 

In other words, its the same old moral monomania or idée fixe: humanity united in Peace and Love. 

 

Personally, I'd rather witness a "vivid recoil into separateness" [3] and singular being; for I hate the attempt to deny the starry uniqueness of the individual in the name of false diversity.    

 

 

Notes

 

[1] Quote attributed to the holy fool and hypocrite Mahatma Gandhi.

 

[2] This idea - beloved of fascists and communists alike - originally derived from an ancient Greek motto attributed to Homer: ισχύς εν τη ενώσει (power lies in unity).  

 

[3] D. H. Lawrence, 'Future States', The Poems, Vol. I., ed. Christopher Pollnitz, (Cambridge University Press, 2013), p. 526. For Lawrence, this recoil will mark the end of universalism and cosmopolitanism.

 

 

Readers interested in what Nietzsche has to say on the topic of diversity should see the post of 21 July 2018: click here.