Die Ewige Wiederkehr des Gleichen
SA/2016
SA/2016
I hate people who take photography seriously; people who fuss over every aspect of their composition and have to employ all the latest technology; people who look down on those of us who enjoy simply taking snaps - including snaps of the sunset which, apparently, is not the done thing in the world of professional image making. Indeed, there's even a sneering acronym used in online chat forums: NABS - not another bloody sunset.
For me, there's something not only touching but philosophically interesting about the fact that, apart from a few superior types who like their cyclopic perception of the world to remain immaculate and claim to be unmoved by natural beauty or the wonder of events, people continue to look to the skies and attempt to capture, however naively or inadequately, the splendour of the rising or setting sun.
For I suspect that one of the things that enchants is the fact that just as no one steps twice into the same river, no sunset is ever witnessed more than once; it's an absolutely unique occurrence that only gives the illusion of an identical event happening over and over each day.
Nietzsche famously terms this the eternal recurrence of the same and, as Deleuze demonstrates in his radical interpretation of this concept, what returns is actually difference itself (paradoxical as this initially seems and contrary to what those commentators believe who write of return in terms of crushing certainty and fixed essence, rather than the very momentariness of the moment).
The reason people will never tire of the sun and its effects and will never tire either of pictures, is because even the most clichéd of these images tell us something crucial; namely, that despite the experience of duration and continuity, there is no universal stability.
For me, there's something not only touching but philosophically interesting about the fact that, apart from a few superior types who like their cyclopic perception of the world to remain immaculate and claim to be unmoved by natural beauty or the wonder of events, people continue to look to the skies and attempt to capture, however naively or inadequately, the splendour of the rising or setting sun.
For I suspect that one of the things that enchants is the fact that just as no one steps twice into the same river, no sunset is ever witnessed more than once; it's an absolutely unique occurrence that only gives the illusion of an identical event happening over and over each day.
Nietzsche famously terms this the eternal recurrence of the same and, as Deleuze demonstrates in his radical interpretation of this concept, what returns is actually difference itself (paradoxical as this initially seems and contrary to what those commentators believe who write of return in terms of crushing certainty and fixed essence, rather than the very momentariness of the moment).
The reason people will never tire of the sun and its effects and will never tire either of pictures, is because even the most clichéd of these images tell us something crucial; namely, that despite the experience of duration and continuity, there is no universal stability.