Jamie Reid promotional poster for the Sex Pistols' single
'No One is Innocent' (Virgin Records, 1978)
Ronnie Rotten - he never sang for Scotland Yard, but he burst his lungs for the Sex Pistols ...
I.
If you want to understand the Sex Pistols, then it probably helps to conceive of them more as an adolescent criminal gang, led by former art student Malcolm McLaren, who peddled anarchy and fetish fashion from their hideout on the King's Road, rather than simply a punk rock band fronted by Johnny Rotten [1].
Instead of chasing chart success and pop stardom, the idea was to generate cash from chaos, aestheticise evil, and celebrate the outlaw à la Jean Genet [2] who recognised in the ruthlessness and cunning of murderers and thieves a sunken beauty.
Thus, for example, one of the earliest shirts sold at SEX featured the leather mask of the notorious Cambridge Rapist. And so it was that when Rotten was thrown overboard for collaborating with the record companies so as to establish a long-term, professional career in music, he was replaced not by some hopeless teen wannabe, but by Great Train Robber and fugitive Ronnie Biggs ... [3]
II.
Biggs, who had daringly escaped from Wandsworth Prison fifteen
months into his thirty year sentence, was still wanted by the British
authorities, but had immunity from extradition, having fathered a
child in Brazil, where he had been living since 1970.
He and the two remaining Sex Pistols - Paul Cook and Steve Jones - got on well, writing and recording a new track together, entitled 'No One is Innocent' [4], which was released as a single on
30 June 1978, coupled with Sid's unique version of 'My Way'. Despite a (predicatable) BBC ban, it reached number 7 in the UK Singles Chart [5]. Biggs also recorded a version of 'Belsen Was a Gas', which was included on the The Great Rock 'n' Roll Swindle soundtrack (1979) [6].
I know many people - including fans of the band - were either perplexed or pissed-off by McLaren's decision to replace Rotten with Biggs as the new singer with the Sex Pistols [8], but I tend to agree with Jamie Reid that it was a brilliant (and necessary) move which demonstrated an idea crucial to the pluralistic politics of The Great Rock 'n' Roll Swindle, namely, that anyone can be a Sex Pistol [9].
III.
In February 1978, McLaren joined Cook and Jones in Brazil. Filmmaker Julien Temple was also there to shoot the scenes with Biggs for the Swindle, including an expensive riverboat sequence to promote the new song, which had been recorded at a local 16-track studio with overdubs later added back in London at Wessex Studios, by audio engineer Bill Price.
The thing is - and I think this is something even those who dismiss the track as simply a cynical attempt to stir controversy and grab headlines will admit - it does sound like a Sex Pistols track; even without Rotten on vocals. Thanks to Jones's distinctive guitar and Cook's solid work as always on drums, it has typical swagger and a huge amount of energy.
And for those who, like me, appreciate the absurd anarchy of the
Swindle rather than the austere monarchy of
Never Mind the Bollocks, it's a fantastic single.
To play 'No One is Innocent' (audio only) click here.
To play (with official video using footage from The Great Rock 'n' Roll Swindle (1980)), click here.
Sex Pistols (sans Rotten and Vicious):
Jones / Rowland / McLaren / Cook /Biggs (1978)
Notes
[1] I think it's important to acknowledge that the key figure in the band was
never really Rotten; it was Steve Jones, a semi-professional tea leaf
with more than a dozen criminal convictions; someone described by Glen Matlock as resembling a character from a book by Jean Genet.
[2] See the post 'God Save Jean Genet' (2 Feb 2026), in which the French writer is considered in relation to the Sex Pistols: click here.
[3] Whilst I cannot go into too much detail here, I thought readers who are unfamiliar with the name and the robbery with which Biggs is forever associated, might appreciate a few lines of explanation ...
Ronald Biggs was a petty criminal from South London who helped plan and carry out the Great Train Robbery on 8 August 1963 (his 34th birthday). Whilst in The Great Rock 'n' Roll Swindle (1980) he is portrayed as the legendary mastermind behind the robbery, he actually had a very minor role.
The gang got away with £2.6 million (equivalent to around £70 million today), so a considerable sum of money then as now and the holding up of a Royal Mail train travelling from Glasgow to London was an enormous story in the British press, dominating headlines for weeks afterwards and remaining in the cultural imagination ever since. For some people it still remains the crime of the century and, despite what happened to the train's driver, Jack Mills, the robbers are often regarded as folk heroes who got one over the authorities. For even though Biggs and eleven other gang members were arrested just three weeks after the robbery and received long prison sentences, most of the money was never recovered.
Biggs subsequently became notorious for his escape from prison in July 1965, living thereafter as a fugitive in foreign exile (and with a new identity) for thirty-six years. The money - as it always does - soon ran out (mostly on legal fees and other expenses relating to his exile, although £40,000 also went on plastic surgery), so Biggs was obliged to do whatever he could to secure and income - including the selling of his soul for punk.
In 2001, feeling increasingly homesick - telling friends that he longed to walk into an English boozer once more and order a pint - he announced to The Sun newspaper that he would be willing to
return to the UK. Still having twenty-eight years of his sentence left to serve, he was aware that he would be detained upon arrival in Britain and spend time in prison: which he did. However, due to his health rapidly declining, he was (eventually) released on compassionate grounds in August 2009 (two days before his 80th birthday and having served a third of his original sentence).
Biggs died
in a North London nursing home on 18 December 2013. His body was cremated at Golders
Green Crematorium on 3 January 2014. The coffin was covered with the flags of the UK and Brazil (and a Charlton Athletic scarf). An honour
guard of British Hells Angels escorted his hearse to the
crematorium.
[4] Before Virgin vetoed the idea, the track was originally to be called 'Cosh the Driver', tastelessly referencing the fact that during the robbery the driver of the intercepted train, Jack Mills, was blugeoned with an iron bar. Mills never fully recovered from
his serious head injuries - nor overcome the trauma of what he had experienced - although he died of an unrelated
cause (leukaemia), in 1970.
The 12" single - which I bought along with the 7" - came with a different sleeve, featuring a still from The Great Rock 'n' Roll Swindle (dir. Julien Temple, 1980) in which the American actor Henry Rowland (dressed as Nazi on the run Martin Bormann; a role he had played in a number of Russ Meyer movies) is shown playing bass alongside Jones on guitar, Cook on drums, and Biggs on lead vocals. It also came with a different title: 'The Biggest Blow - A Punk Prayer by Ronnie Biggs' (Virgin Records, 1979).
[5] The single was not released in the US and failed to chart in other overseas territories.
[6] Readers might be surprised to learn that this was not Biggs's first outing as a recording artist. For Biggs, an avid jazz fan, had previously collaborated in 1974 with three musicians to make a musical narrative of his life entitled Mailbag Blues.
The album was finally released in 2004 (whatmusic.com) and is "a fusion of experimental jazz, blues and funk, with echoes of Brazilian styles such as tropicalia and bossa nova" and although Biggs doesn't actually sing on the record, he is credited as inspiration and storyteller. See Alex Bellos, 'Ronnie Biggs: the album', in The Guardian (1 Sept 2004): click here. To listen to the title track - 'Mailbag Blues' - please click here. Biggs also had a post-Pistols recording career; in 1991, he provided vocals for the songs 'Police on My Back' and 'Carnival in Rio' by German punk band Die Toten Hosen, and two years later Biggs
sang on three tracks for the album Bajo Otra Bandera by Argentinian punk
band Pilsen. You can find some of these songs on YouTube, but, frankly, I'd not bother.
[7] McLaren's original plan was for the group - including Rotten - to fly down to Rio de Janeiro after the final US show in San Francisco, so that they could be filmed performing with Biggs. Paul Gorman writes: "The combination of the UK's most wanted felon cavorting with the world's most hated group amid the favelas during Carnival was too good an opportunity to let pass, McLaren believed."
But Rotten wanted nothing to do with the idea and his refusal to comply with McLaren's latest scheme effectively brought the curtain down on his career as a Sex Pistol. Interestingly, Gorman is sympathetic to the singer here:
"With justification, Lydon viewed Biggs as a charmless nerk rather than an anti-hero deserving of glorification, not least since the train driver in Biggs's gang crime had suffered severe brain damage from injuries inflicted upon him during the raid."
See Paul Gorman, The Life and Times of Malcolm McLaren (Constable, 2020), pp. 386 and 388.
[8] Jamie Reid would later explain:
"'One of the things we were aware of was the need never to remain still, never to become stagnant. After three or four records have come out there begins to be a typical punk fan, who identifies with the band the way fans always do. When Rotten left and we put in Ronnie Biggs, they couldn't understand. It seemed a good idea to us.'"
Quoted by Paul Gorman in The Life and Times of Malcolm Mclaren, p. 402.
