Showing posts with label rupert rigsby. Show all posts
Showing posts with label rupert rigsby. Show all posts

15 Oct 2022

The Three Ruperts: Bear, Rigsby & Pupkin

 
 
I. 
 
The modern English name Rupert is a truncation of the Latin Rupertus, which derives from Old High German Hruodoperht (or Hruodoberht), which also happens to be the origin of the name Robert. 
 
Meaning bright with glory, it is a name to be proud of, even if it has today taken on somewhat comical connotations, which is why - as we shall see - it was so suited to Leonard Rossiter's character, Rupert Rigsby, in the seventies TV sit-com Rising Damp; and Robert De Niro's character, Rupert Pupkin, in Scorsese's 1982 film The King of Comedy.    
 
Before discussing the above, however, I want to say a few words about the most famous Rupert of all - no, not Rupert Birkin [1] - but Rupert Bear ...
 
 
II. 
 
As a child, I never much cared for Rupert Bear ...
 
Even if I quite admired his colourful fashion sense - red jumper, bright yellow checked trousers, with a matching yellow scarf - he and his chums were just a bit too boring [2], living at home with their parents in an idyllic English village. No matter how exotic or magical their adventures, the fact was they always began and ended in Nutwood.    
 
However, it was the irritating theme song which opened the 1970s TV series The Adventures of Rupert Bear [3], that really turned me against him: I fucking hated that song - which added an erroneous definite article to the characters name - although the record-buying public obviously didn't share my feelings, as it reached number 14 in the UK charts in 1971 [4].  

Rupert, of course, started life as a comic strip character created by Mary Tourtel, who made his first appearance in the Daily Express in 1920. He soon became very popular and his since gone on to sell millions of books worldwide; the Rupert annual has been published every year since 1936. 
 
And so, like his rival, Paddington Bear - who first appeared on the scene in 1958 (and who I'm not keen on either) - Rupert is firmly entrenched in British popular culture; in September 2020, Royal Mail even issued a set of eight stamps to commemorate his centenary.   
 
Unfortunately, the stamps didn't make reference to the one great scandal that Rupert was involved in; the infamous Oz magazine case which resulted in the editors and publishers being prosecuted for obscenity and put on trial at the Old Bailey in June 1971 [5]
 
 
III.
 
Played (brilliantly) by Leonard Rossiter in Rising Damp - a British sit-com, written by Eric Chappell, which was originally broadcast on ITV from September 1974 until May 1978 - Rigsby's first name was only revealed in one of the final episodes. 
 
In 'Great Expectations' (S4/E3), having agreed to pose as his estranged wife, Miss Jones and Rigsby dress up so as to look the part of a married couple:


Rigsby: "How d'you think I look?"
 
Miss Jones: "Very nice Mr Rigsby - though I can't call you that, what's your first name?"

Rigsby: "Err, we needn't go to those lengths Miss Jones."

Miss Jones: "Mr Rigsby we're supposed to be married, what did she call you?"

Rigsby: "Everything really."

Miss Jones: "No, I mean at the beginning, when she was being affectionate."

Rigsby: "Well, we never went in for endearments very much, not even at the beginning. No, she used to smile quietly at me, put her hand on mine and say: 'Now then ratbag.'"

Miss Jones: "Well I can't call you that. Now what's your name?"
 
Rigsby (embarrassed): "Well, it's a rather silly sort of name".
 
Miss Jones: "What is it?" 

Rigsby (mumbling): "Rupert."

Miss Jones: "Robert?"
 
Rigsby: "Rupert."
 
Miss Jones: "Rupert!"
 
Rigsby: "Yes, Rupert Rigsby."
 
Miss Jones (hiding her face and laughing): "I'm sorry Mr Rigsby, you don't look like a Rupert."
 
Rigsby: "Well of course I don't look like - he's a little wooly bear with trousers and a check scarf, isn't he? That's why I stopped using it."
 
Miss Jones (kindly): "Well I shan't, I think it's a very nice name." [6]

 
As well as being a very funny (and rather touching) scene, it also reminds me of the sixth season episode of Seinfeld in which Kramer's first name - Cosmo - is finaly revealed, much to the amusement of George, Jerry and Elaine [7].

The irony, of course, is that Rigsby isn't bright with glory - as the name Rupert suggests - but seedy with failure. Nevertheless, he's a strangely likeable character; far more so than Basil Fawlty, to whom he is sometimes compared.


IV.
 
Rupert Pupkin, on the other hand, is a far more disturbing character; a struggling stand-up comedian with mental health issues, desperate to get his big break. 
 
Long story short, in The King of Comedy (1982) he kidnaps a famous late-night talk show host, Jerry Langford (played by Jerry Lewis), in an attempt to achieve the notoriety he confuses with stardom. As he tells the FBI agents who arrest him: Better to be a king for a night, than a schmuck for a lifetime. 
 
The film was admired by critics, but poorly received by the public who - at this date - preferred to see De Niro in what they understood to be more serious roles, little appreciating the amount of work he invested in the character of Rupert Pupkin. 
 
The fact that, by the end of the film, it's impossible to tell what was real and what was fantasy, also didn't go down well with moviegoers who, as a rule, like to know what's happening and not have to figure things out for themselves.
 
Further, Rupert Pupkin is a troubling figure because he obliges us as film fans to examine our own behaviour and complicity with celebrity culture. Travis Bickle might shock us - and Max Cady [8] might terrify us - but Rupert Pupkin is the one who unsettles us most.    

Perhaps that's why Scorsese has called De Niro's role as Rupert Pupkin his favourite of all their collaborations ... [9]

  
Notes
 
[1] I have referred to and discussed Rupert Birkin - one of the four central characters of D. H. Lawrence's greatest novel Women in Love (1920) - many times in posts on Torpedo the Ark: click here
 
[2] I make an exception for his peculiar pal Raggety, a woodland troll-like creature made from twigs, who is goes out of his way to be annoying. Sadly, in the 2006 TV revival Raggety was transformed into a friendly tree elf so as not to frighten the children of Gen Z (aka Generation Snowflake). Worse: Rupert is obliged to wear trainers! 
 
[3] The Adventures of Rupert Bear (known as My Little Rupert in the US) was a live-action puppet series, based on the Mary Tourtel character Rupert Bear, produced by ATV. It aired from 28 October 1970 to 24 August 1977 on the ITV network, with 156 11-minute episodes produced over four series, narrated by Judy Bennett. 

[4] Rupert, written by Len Beadle and Ron Roker, was sung by the Irish singer Jackie Lee and released as a single in 1971: click here
      Funny enough, although not a fan of Rupert, I did like the theme song written by Michael Carr and Ben Nisbet for the English language version of the children's TV series White Horses (1968), which was also sung by Jackie Lee (and released as a single in 1968 - reaching number 10 in the UK charts): click here.   

[5] Oz was an underground magazine that flew the flag for the sixties counterculture. The UK version was published from 1967 until 1973, ed. by Richard Neville, a young Australian writer and hippie radical. Issue 28 (May 1970) of Oz was the notorious Schoolkids issue and featured a Rupert cartoon in which he is shown with a large erection and engaging in illicit sexual activity. After initially being found guilty of obscenity and sentenced to harsh jail terms, the magazine's editors were acquitted on appeal. 
      For an interesting recent article by Walker Mimms in The Guardian (4 Aug 2021), discussing how the Oz trial inspired a generation of protest artists, click here
 
[6] This lovely one minute exchange begins at 12:20 in the second episode of series four of Rising Damp. Entitled 'Great Expectations', it aired on 18 April 1978 and was written by Eric Chappell, directed by Joseph McGrath, and starred Leonard Rossiter as Rigsby and Francis de la Tour as Miss Jones. The episode can be found on YouTube, or viewed on Dailymotion by clicking here

[7] See Seinfeld, 'The Switch' [S6/E11], dir. Andy Ackerman, written by Bruce Kirschbaum and Sam Kass. The episode originally aired on 5 Jan 1995. The relevant scenes concerning Kramer's first name can be viewed here
 
[8] Max Cady was the psychopath played by De Niro in the 1991 remake of Cape Fear, also directed by Scorsese. 
 
[9] To watch the original trailer for The King of Comedy (1982), click here


11 May 2019

In Praise of Bedsits

Dancing laughing / Drinking loving 
And now I'm all alone / In bedsit land


Writer and music journalist Jon Savage is absolutely right to identify Soft Cell's 1981 single Bedsitter as one of the great tracks of the decade, not just for its "melody, mood, and irresistible forward motion", but also for daring to address in a pop song themes of loneliness, isolation and the limits of hedonism as a lifestyle. 

Having said that, there wasn't necessarily anything desperate or depressing about living in a bedsit during this perod. Speaking from personal experience, I can vouch that there was nothing more liberating than having a room of one's own in the heart of the city.

The room may have been unheated, the decor seedy, and the landlord Rigsby-like, but I would echo Virginia Woolf and say that having a modest but fixed and regular income (i.e. dole money) and a place to live (with key and lock) is crucial if one is to achieve creative freedom and independence and I loved every minute spent living all alone at 7, Arlington Gardens, surrounded by books, clothes, and records on the floor (delighting in memories of the night before). 

What's more, when I consider members of today's so-called boomerang generation - like my nephew - it fills me with a mixture of horror and sorrow. For despite all the home comforts and advantages that he speaks of, to remain living with one's parents at the age of 28 seems inconceivable (and a little obscene) to me.

But there you go, times and people have changed ...


See: 'Jon Savage on song: Soft Cell - Bedsitter', The Guardian (25 Jan 2010): click here to read online.

Play: Soft Cell, 'Bedsitter', single release from the album Non-Stop Erotic Cabaret (October 1981): click here. Songwriters: Dave Ball and Marc Almond. Lyrics: © Warner/Chappell Music, Inc.

Note: the photo is of the poet Lori Gatford taken in her Leeds bedsit sometime in the late 20th century.