Showing posts with label israel. Show all posts
Showing posts with label israel. Show all posts

3 Nov 2023

Education for Death

The original poster for Walt Disney's 
Education for Death (1943)

 
I.
 
Education for Death (1943) is an animated short film produced by Walt Disney, which illustrates how to make a Nazi out of a child. Directed by Clyde Geronimi, it was based on a non-fiction book of the same title by Gregor Ziemer, published two years previously [1]
 
The film tells the story of Hans, a boy born and raised in Nazi Germany and enrolled (with his parents blessing) into the Hitlerjugend
 
The audience is told that Hans is fed a constant diet of lies and taught how to hate any non-Aryan peoples - particularly the Jews. His sacred duty is to serve his Führer and Fatherland, even if this meant sacrificing his life.    
 
In one scene, Hans and his fellow pupils watch as their teacher draws a cartoon on the blackboard of a rabbit being eaten by a fox, prompting Hans to express his sympathy for the former. The teacher, furious by this display of feeling, orders Hans to sit in the corner wearing a dunce-cap, to the amusement of his classmates. 
 
Hans thus learns an important lesson; namely, that it is right for the strong to prey on the weak and that he must show no mercy for his natural inferiors.
 
Later, Hans takes part in a book-burning, where works by Spinoza, Voltaire, and Einstein are consigned to the flames and the Bible is replaced with a copy of Hitler's Mein Kampf
 
After years endlessly marching and sieg heiling dressed in his Hitler Youth uniform, Hans is finally deemed a good Nazi and old enough to join the Wehrmacht so that he can fight (and if need be die) for his country. 
 
Years of indoctrination into National Socialist ideology have ensured he only sees, thinks, and does what the Party want him to see, think, and do. Hans has effectively become a hate-filled automaton, blind to the irony of the fact that in order to view Jews as subhuman, he has himself been dehumanised.
 
Ultimately, Hans and his young comrades meet the violent end they were educated for and the film ends with a row of swastika-stamped graves ...  
 
 
II.

Unfortunately, Nazis are not the only ones who educate their children for death, or martyrdom, as some would have it ... 
 
The textbooks used in the Palestinian Authority school system are full of deadly ideas and images. Expressions of hatred towards Israel - including the denial of its right to exist and praise for the armed struggle against it, as well as crude antisemitic propaganda targeting Jews in general - are so commonplace that even the UN and the EU have voiced their concern [2]
 
But whether some members of these organisations like it or not - and whether flag-waving supporters of Palestine care to admit it or not - youngsters in Gaza and the West Bank are educated from birth in an atmosphere of religious and political fervour, which results in (and perpetuates) a profoundly depressing cycle of violence and terrorism disguised as holy war or jihad
 
 
Images found in Palestinian schoolbooks showing a youth firing stones 
at Israeli soldiers and a girl laughing as the infidels burn. 
 
 
Notes
 
[1] Gregor Ziemer, an American author and teacher who lived in Germany from 1928 to 1939, wrote the book Education for Death after fleeing Germany on the eve of World War II. His work highlights how the Nazi Party controlled every aspect of children's education. As well as the Disney short, the book also inspired the black-and-white live action film Hitler's Children (dir. Edward Dmytryk, 1943), starring Tim Holt, Bonita Granville, and Kent Smith. It's brutal portrayal of life in the Hitler Youth was among the most financially successful films produced by RKO Studios. 
 
[2] As recently as May of this year - just five months before the present conflict in Gaza began (thanks to Hamas) - the European Parliament passed a resolution condemning hateful Palestinian textbooks and threatening to freeze funding for education, unless all antisemitic content was removed.
      Whether they'll actually do anything, however, is doubtful; the EU remains the Palestinian Authority's largest financial benefactor and this is the fourth consecutive year that the European Parliament has passed a resolution criticizing the Palestinian Authority for its school material. Nevertheless, this is the first time that an EU resolution has directly linked the deplorable stuff found in some textbooks with the role played by adolescents in terrorism.  
      For their part, the PA defends much of the material as an important part of their own cultural narrative.
      As for the United Nations, in 2019 a panel of independent experts submitted a report containing unprecedented criticism of the Palestinian Authority, finding that they had failed to implement UN treaties on racism. 
      The committee also reported the existence of hate speech in media outlets (particularly those controlled by Hamas), in statements made by public officials, and in school curricula and textbooks. It called on the PA to combat such hate speech and to remove derogatory comments and stereotypical images from school textbooks that perpetuate racial prejudice.
 

2 Apr 2019

In Support of Rachel Riley (With a Brief Note on Israel and Anti-Zionism)

Photo: Mike Marsland / Getty Images


I.

Apart from being very beautiful and highly intelligent, Countdown's resident mathematician and co-presenter, Rachel Riley, is also a woman of great courage and integrity - as demonstrated by her standing up to the anti-Semitism of those who regard themselves as belonging to the radical left (and/or Corbyn's Labour Party), something for which, as might be imagined, she has received appalling abuse from online cowards. 

Born in Rochford, Essex, educated at Oxford, Ms. Riley describes herself as Jewish (albeit non-religious) and so is sensitive to the question of anti-Semitism and fully entitled to speak out on it: this is not prostituting her heritage, as one (now suspended) member of the Labour Party tweeted; nor is she poisoning the memory of her ancestors (quite the contrary).   

Despite the abuse - much of it followed by the hashtag #BoycottRachelRiley - I'm glad to see Ms. Riley announce her intention to carry on sharing her views on social media and elsewhere. I'm also pleased to see that several of her celebrity pals have come to her defence, including David Baddiel, David Schneider and Katherine Ryan.

I'm not a celebrity. Nor am I a friend of Ms. Riley's. But I would also like to add my support here. Special mention should also go to the actress Tracy Ann Oberman who, like Rachel Riley, has dared to take a stand and call out anti-Semitism. She too has my admiration and fond regards.


II.

Many people insist that anti-Zionism is distinct from anti-Semitism and I'm broadly sympathetic to this argument; clearly, there can be perfectly legitimate criticism made of Israel and its government.

Having said that, we all know that anti-Zionism is often a coded (or disguised) form of anti-Semitism and, ultimately, like Roland Barthes and Michel Foucault, I think one has to show solidarity with the State of Israel and question the thinking behind Deleuze's support for Palestinian terror attacks, or Badiou's desire to see Israel disappear off the face of the earth (perceiving as he does its very existence to be a crime).       

And I say this not as someone who has a vested interest in politics or is particulary well-informed about all the issues, but, rather as someone who, like Larry David, would be perfectly happy to eat great chicken anywhere and who knows that the penis doesn't care about race, creed, or colour ...*


* Note: I'm referring here to the season 8 episode of Curb Your Enthusiasm entitled 'Palestinian Chicken', (dir. Robert Weide, 2011) in which Larry, a Jew - a big Jew - meets Shara, a virulently anti-Semitic Palestinian (played by Anne Bedian). Despite their differences, they are instantly attracted to one another and amusingly use the political and religious tension between themselves to heighten and intensify a sexual encounter: click here.