Showing posts with label immigration. Show all posts
Showing posts with label immigration. Show all posts

16 Aug 2018

Sweden: Vad Fan Gör Du?



I.

Sweden is a country about which I know very little and were it not for ABBA and the cinematic charms of Britt Ekland, I'd probably care even less.

However, as even left-leaning Prime Minister, Stefan Löfven, was on the radio this week telling everyone how angry he was with what's happening in his country and promising to get tough, I suppose I should say something ... 


II.

Until recently, Sweden was inhabited almost exclusively by Germanic peoples and therefore enjoyed a high level of ethno-cultural homogeneity. It may not have been the most exciting place on Earth, but there are worse things than living in a happy, healthy, peaceful and prosperous country eating meatballs, surrounded by forests and beautiful landscapes, but with easy access to an IKEA.

In the past few years, however, Sweden has become a more diverse nation due to immigration from Africa and the Middle East. A significant number of the population now have a non-Nordic background and this has resulted in a number of what government officials and the mainstream media like to call social challenges.   

Proponents of mass immigration continue to argue that, despite these challenges and the establishment of so-called vulnerable areas in numerous towns and cities, there have been important economic and cultural benefits and people should just relax a little [tagga ned] when considering the newcomers. 

Opponents, meanwhile, can't see beyond the shocking crime statistics and growing civil unrest; from gang violence, rape, and arson attacks at one end of the scale; to young Muslim women refusing to shake hands on the other. For them, the cow is very much on the ice, so to speak.

Sadly, it does seem as if the prolonged period of Scandinavian serenity enjoyed by the Swedes is about to end. Which is a pity - but who's to blame for this other than the super-liberal Swedes themselves? Especially, of course, those in positions of political power, including Herr Löfven.

Ultimately, what Douglas Murray refers to as the strange death of Europe is both an act of self-negation and an act of faith carried out in the name of moral-idealism ...  


See: Douglas Murray, The Strange Death of Europe (Bloomsbury, 2017). 


9 May 2017

Gaby Hinsliff Versus Douglas Murray: You Pays Your Money and You Takes Your Choice



In her review of his new book, The Strange Death of Europe, political journalist and commentator Gaby Hinsliff accuses Douglas Murray of gentrified xenophobia; a phrase by which she means a "slightly posher, better-read, more respectable" form of racism.

The implication being that if you scratch away the smooth exterior, then Murray is revealed as simply a more articulate (thus more persuasive, more dangerous) version of Katie Hopkins, appealing to the kind of people who "wouldn't be seen dead on an English Defence League march", but who nevertheless fear Muslims are coming to rape their loved ones and destroy their way of life.

I don't think this is a fair characterization of Mr Murray, or his readers. And nor can such fears be dismissed as entirely irrational or groundless; not after Rotherham. In fact, I would say concerns about the three i-words around which Murray weaves his text - immigration, identity and Islam - are perfectly reasonable.

Nor do I think that Murray's book - which Hinsliff rather bizarrely disparages as a "proper book, with footnotes and everything" - is "so badly argued" that she can dismiss it without addressing any of the factual data that is carefully documented and detailed in those footnotes, even if she chooses to interpret it differently from the author and play down the seriousness and legitimacy of his concerns. 

Hinsliff insists the work "circles round the same repetitive themes" and "regurgitates the same misleading myths" concerning immigration that UKIP like to peddle. But, ultimately, it's she who bores us by repeating the well-worn platitudes of liberalism and her feigned ignorance - at least I hope its feigned - of what makes European culture uniquely precious and worth defending.

In a tweet, published on the same day that her review appeared in The Guardian, Hinsliff jokes that she'd read Murray's book so that her readers wouldn't have to - hardly an inspiring model of criticism. But, in that same spirit, I'm writing this so that you'll not waste your time clicking on the link below - whilst at the same time strongly recommending Murray's text.


Notes

Douglas Murray, The Strange Death of Europe: Immigration, Identity, Islam, (Bloomsbury, 2017).

To read Gaby Hinsliff's review of the above in The Guardian (6 May 2017): click here

To read my reflections on Murray's text, click here.  

Photo of Gaby Hinsliff by Mark Pringle. Photo of Douglas Murray by Matt Writtle. 


25 Sept 2015

European Ghost Dance

Ghost Dance of the Sioux (1891)


The Ghost Dance was a last, desperate attempt by Native Americans to resist the White Man and preserve their own way of life. Performance of the dance was thought to unite the living with the spirits of the dead and enlist the latter in the fight for survival against those who came from far away with their strange customs and alien gods.

Essentially, it was a type of circle dance in which the men moved in unison with a soft, yet heavy-footed shuffle around a drum; a traditional form used by many tribes for millennia. But the ghost dance had new and deadly serious ceremonial significance and quickly spread at the end of the 19th century throughout much of the Western United States, with different peoples synthesizing aspects of the ritual dance with their own tribal beliefs.  

Of course, as we know, the dance failed to work its magic and halt white expansion; mystery religion, it seems, is ineffective in the face of guns and railways. For all their sacred and heroic effort, the Indians were doomed and their day passed.

What intrigues me, however, is this: in the face of the threat posed to their traditional culture by the mass influx of foreign bodies, will the indigenous peoples of Europe soon be the ones enacting their own version of the ghost dance (and will it be any more effective)?