"I'm not a discharge / I'm not a loss in protein
I'm not a throbbing squirm"
I.
The debate around the issue of abortion is often loud and ugly, with those who take up the polarised (and politicised) positions of either pro-life or pro-choice often viewing the matter as one in which there is no compromise possible.
For the former, abortion is wrong in most if not all circumstances on the grounds that human life begins at conception and an unborn baby deserves protection. For the latter, on the other hand, affirmation of a woman's right to bodily autonomy is sacrosanct over and above all other considerations, including any supposed rights of an embryo or foetus.
But, of course, no issue is cut and dried and abortion is (in every sense of the word) a messy business. To discuss it fully requires consideration of complex moral, legal, and medical questions. I'm not, however, here to address the question of abortion from the perspective of a priest, a lawyer, or a doctor. Rather, I'm interested in it in relation to a controversial song by the Sex Pistols entitled 'Bodies' ...
II.
To be honest, I never much liked 'Bodies' although it seems to be a fan favourite and the band would often open their live set with the song, so one assumes they always enjoyed playing it.
Found on the album Never Mind the Bollocks, Here's the Sex Pistols (1977), 'Bodies' tells the true and terrible tale of a female fan from Birmingham called Pauline, who stalked the group whilst carrying an aborted foetus in a plastic bag [1].
According to the song's graphic and expletive-laden lyrics, this schizophrenic young woman lived in a tree house in the grounds of a mental institution at one time and made even Nancy Spungen seem sane and reasonable in comparison.
Apparently, Pauline recounted her experiences of having had several abortions to Rotten at length and in detail and it was these stories that inspired him to write 'Bodies'.
Interestingly, the song is sung from multiple perspectives and is not quite the reactionary and misogynistic anti-abortion diatribe that it is now thought to be by many liberal critics [2], including the loathsome Mark Kermode, who finds the song absolutely reprehensible and thinks it explains why it is Lydon ends up as a Trump supporter [3].
What it doesn't do is shy away from the tragic aspect of abortion, which some activists who identify as pro-choice are often keen to overlook, deny, or downplay. It's a difficult track to listen to, but Rotten here as elsewhere captures some of the horror, pain, confusion, and ambiguity that characterises human life conceived as a gurgling bloody mess.
Notes
[1] To listen to the version of 'Bodies' that appears on Never Mind the Bollocks, click here. To watch the song being performed live at the Longhorn Ballroom in Dallas, Texas Tuesday, on 10 Jan 1978, click here.
[2] It should be pointed out that there are also some on the right who have interpreted 'Bodies' as one of the greatest conservative rock songs; charting, for example, at number 8 on John J. Miller's list of fifty such songs in the National Review (5 June 2006): click here.
[3] Whilst discussing Danny Boyle's 6-part miniseries Pistol with his (equally odious) sidekick Simon Mayo on their podcast Kermode and Mayo's Take (1 June 2022), the former makes clear his moral contempt of the Sex Pistols - particularly Rotten and particularly the song 'Bodies' - click here and go to 4:12 - 4:48.
