The charm of kink is that it has charm. And the nature of this appealing quality is camp.
In other words, whilst it would be wrong to set up a false dichotomy and seek to salvage kink from a more problematically perverse aesthetic with origins deep in the pornographic imagination, it is certainly more playful than pathological; a kind of frivolous form of fetishism in which stylization and mannerism matters far more than actual sexual activity.
The kinky individual delights in props, costumes, and role playing as pleasures in their own right and not simply as methods of enhancing orgasm and camp perversity is ultimately more about fashion, fun, and theatre than fucking in dreadful earnest which, if it does take place, does so off-stage, as all forms of obscenity should. It relies upon (and is happier with) suggestiveness rather than anything overt; a sophisticated and teasing combination of imagination, irony and innuendo.
This is perfectly illustrated by the case of Mrs. Peel, played by Diana Rigg in sixties spy-fi series The Avengers. Mrs. Peel is the personification of kinky charm and English cool, whether she's wearing her trademark leather catsuit, fancy dress, or groovy get-ups created by John Bates and, later, Alun Hughes, to emphasise her youthful, contemporary character.
In other words, whilst it would be wrong to set up a false dichotomy and seek to salvage kink from a more problematically perverse aesthetic with origins deep in the pornographic imagination, it is certainly more playful than pathological; a kind of frivolous form of fetishism in which stylization and mannerism matters far more than actual sexual activity.
The kinky individual delights in props, costumes, and role playing as pleasures in their own right and not simply as methods of enhancing orgasm and camp perversity is ultimately more about fashion, fun, and theatre than fucking in dreadful earnest which, if it does take place, does so off-stage, as all forms of obscenity should. It relies upon (and is happier with) suggestiveness rather than anything overt; a sophisticated and teasing combination of imagination, irony and innuendo.
This is perfectly illustrated by the case of Mrs. Peel, played by Diana Rigg in sixties spy-fi series The Avengers. Mrs. Peel is the personification of kinky charm and English cool, whether she's wearing her trademark leather catsuit, fancy dress, or groovy get-ups created by John Bates and, later, Alun Hughes, to emphasise her youthful, contemporary character.
Perhaps her most notorious outfit was the Queen of Sin costume, worn in the most viewed and much discussed episode entitled 'A Touch of Brimstone'.
As can be seen in the photo accompanying this text, the Queen of Sin costume consists of a black embroidered corset laced tightly at the back and cut straight across the breast. The corset comes with a barely-there, see-through black lace micro-mini that just about reaches the top of her naked thighs and fails to conceal the black satin high-cut bikini briefs worn beneath. The look is complemented with a spiked leather collar (complete with leash), evening gloves, stiletto heeled boots (also back-lacing) and, somewhat lamely, a live snake.
For many fans of the show, the moment that Mrs. Peel strips away a long black cloak and stands revealed in her Queen of Sin costume constitutes a real highpoint or kinky consummation of some kind. It certainly makes Steed's eyes - and one suspects not just his eyes - bulge with surprise and delight.
But for me, as for the censors at the time, with its explicit visual references to the world of BDSM, 'A Touch of Brimstone' goes too far; the cat is let out of the bag so to speak. I prefer Mrs. Peel kept under wraps and think she is at her most seductive when she manages to combine the perverse with the prim and proper; the deviant with the demure.
Notes
'A Touch of Brimstone', episode 21 of series 4 of The Avengers, written by Brian Clemens and directed by James Hill, was first shown (with cuts) in the UK in February 1966. It was deemed unsuitable for broadcast in the US. As well as starring Patrick Macnee as Steed and Diana Rigg as Mrs. Peel, it also co-starred Peter Wyngarde as The Honourable John Cleverly Cartney, the camp libertine and aristocratic anarchist who is the villain of the piece.
Those who are interested may care to go to the following link: https://www.youtube.com/watch?v=zmxe3ueE9jU
