From the very early days of television, the police have been an endless source of inspiration for programme makers in the UK and US and some of the most memorable characters within the popular imagination have been detectives.
There are still plenty of cop shows on TV, but these days they take themselves very seriously and expect viewers to do so as well; no longer just about catching the bad guys, these crime dramas deal with issues and are often morally ambiguous to the point that you no longer know who to root for.
There are still plenty of cop shows on TV, but these days they take themselves very seriously and expect viewers to do so as well; no longer just about catching the bad guys, these crime dramas deal with issues and are often morally ambiguous to the point that you no longer know who to root for.
Personally, I prefer watching cops who have catchphrases and lollipops rather than psychological problems; the sort of characters that English impressionist Billy Howard gently poked fun at in his top ten single King of the Cops (1975): Kojak, Cannon, Columbo, et al.
It's impossible to imagine a similar record being released today. For not only are impressionists no longer in vogue in the way they were in the 1970s - Mike Yarwood was a huge star throughout the decade and the ITV sketch show Who Do You Do? ran for five series between 1972-76 - but, as already noted, cop shows just aren't much fun any longer.
Indeed, I'm tempted to ask: Is anything more carefree in 2019 than in 1974?
TV, music, film, sport and pretty much everything else - even politics - seemed so much more joyous back then and I would still rather watch re-runs of The Rockford Files or Starsky and Hutch, than Line of Duty and I really don't think this is simply nostalgia on my part; something has significantly changed within popular culture (and not for the better).
Play: Billy Howard, King of the Cops (Penny Farthing, 1975): click here.
