Showing posts with label james miller. Show all posts
Showing posts with label james miller. Show all posts

18 May 2025

Sein zum Tode: Notes on the Case of Ellen West and the Work of Ludwig Binswanger

Ellen West (1888-1921) [1]
 
'She looked in death as she had never looked in life; calm, happy, and peaceful.'
 
I. 
 
I've been interested in the tragic (but also seminal) case of Ellen West since the Thanatology series of papers at Treadwell's in 2006 and, to be honest, I'm very surprised to discover that - apparently - I haven't discussed it in a post published on Torpedo the Ark before now ... [2]
 
 
II.
 
Der Fall Ellen West - Eine anthropologisch-klinische Studie was published in 1944-45 by the Swiss psychiatrist Ludwig Binswanger [3].
 
It offers a fascinating account of a young woman's agonising struggle to die at the time and in the manner of her own choosing and is considered to be a crucial text within a discipline known as Daseinsanalysis (one that attempts to combine therapeutic practice with existental philosophy) [4].    
 
Ellen West already had a clinical history of depression and disordered eating by the time she came under the care of Binswanger at his Bellevue Sanatorium in the picturesque town of Kreuzlingen, Switzerland, in 1921. Her ten week stay here resulted in a diagnosis of bulimia nervosa and schizophrenia and, ultimately, the suicide that she had long desired.


III.

West was born to a Jewish family in the United States in 1888, who moved to Europe when she was ten years old. An intelligent and articulate child, who enjoyed reading and writing poetry, she was also said to be disobedient and prone to obsessive-compulsive behaviour. By the time she reached early adulthood, she already had an extreme fear of gaining weight and began taking an extraordinary amount of laxatives.
 
Aged 28, she married her cousin, Karl, and hoped for a child. But her eating disorder had left her in a frail and fragile condition and by 30 she was no longer menstruating and had fallen to a dangerously low weight below 100 lbs. (the average weight for a healthy woman of her age at that time was between 135-150 lbs).
 
If he hadn't noticed already, West's husband was forced to confront the truth of his wife's condition when she confided in him about her problematic relation with food, her addiction to laxatives, and her obesophobia, which, by this stage, was mutating into an altogether something different (and something philosophically more interesting).       
 
 
IV.

Towards the end of her life, death was West's great obsession; one is tempted to describe it more as her passion and paradoxical life goal (i.e., that which provided meaning and direction and which she didn't merely resign herself to, but actively strove to achieve).
 
She had arrived at the conclusion that being dead was better than being fat - and preferable to a life that felt empty and boring and required the constant consumption of food. And so, West chose to invite death into her life by indulging in dangerous activities, such as kissing children with scarlet fever, riding horses in a reckless manner, and standing naked in the cold after having a hot bath [5].    

None of these things did the trick, however, and West eventually died after leaving the Bellevue clinic with Binswanger's blessing [6] and swallowing a lethal dose of poison; something her husband consented to and witnessed, telling others that she had been in a strangely festive mood for several days prior. 
 
Herr Doktor Binswanger was also recorded as saying that Ellen looked 'as she had never looked in life - calm, happy, and peaceful', having taken full responsibility for her own existence and her own death. 
 
 
V.
 
So, what, in sum, do we learn from the case of Ellen West? 

We learn that for some people, sometimes, only voluntary death brings freedom and fulfilment. 
 
In other words, there are times when nothingness and non-being take on a desperately positive meaning and only in her decision for death did West, paradoxically, find her authentic self. As George Steiner writes, conveniently summarising Heidegger's thinking on the matter in Sein und Zeit (1927):
 
"Dasein can come to grasp its own wholeness and [...] meaningfulness [...] only when it faces its 'no-longer-being-there' (sein 'Nicht-mehr-dasein) [...] Dasein [...] has access to the meaning of being because, and only because, that being is finite. Authentic being is, therefore, a being-towards-death, a Sein-zum-Tode." [7] 
 
 
VI.
 
It's clear that Michel Foucault found the case of Ellen West particularly fascinating and he develops this thanatological line of thinking in his own work. She was, he said, a woman "'caught between the wish to fly, to float in ethereal jubilation, and the obsessive fear of being trapped [by] a muddy earth that oppressed and paralyzed her'" [8].
 
To embrace death was obviously to bring her life to an end, but suicide nevertheless enabled the brief experience of a "'totally free existence […] one that would no longer know the weight of living, but only the transparency where love is totalized in the eternity of an instant'" [9]
 
I'm not sure I know exactly what this means - but it sounds very beautiful and it's worth noting in closing how the case of Ellen West has inspired several writers and artists, including the acclaimed American poet Frank Bidart, whose long persona poem 'Ellen West' (1977) can be read by clicking here [10]

 
Ernst Ludwig Kirchner: 
Kopf Dr. Ludwig Binswanger und kleine Mädchen (1917-18) 
 
 
Notes
 
[1] The real name of the young woman at the centre of this case remains unknown; Ellen West was a pseudonym invented by her doctor, Ludwig Binswanger, who is believed to have based it on the character Rebecca West, in Ibsen's play Rosmersholm (1868), a central theme of which is the idea of suicide as one way to find meaning and freedom in death.
 
[2] I say apparently because I'm half-convinced that such a post was published on TTA but has since been deleted by Blogger. 
      The Treadwell's paper to which I refer was entitled 'Suicide and the Practice of Joy before Death'. It can be found in volume two of The Treadwell's Papers (Blind Cupid Press, 2010). 
 
[3] Ludwig Binswanger (1881-1966) was a Swiss psychiatrist and pioneer in the field of existential psychology or what he termed Daseinanalyse (see note 4 below). 
      In 1907, Binswanger received his medical degree from the University of Zurich and, as a young man, he worked and studied with some of the great shrinks of his era, including Freud, Jung, and Eugen Bleuler (who coined the terms schizophrenia and autism). He was, however, always a bit wary of psychoanalysis and arguably more influenced by the philosophical ideas of Husserl and Heidegger. Perhaps not surprisingly, Foucault was a fan of Binswanger's work, translating his 1930 essay Traum und Existenz from German into French in 1954 and providing a substantial introduction (the fact that Ludwig Binswanger's uncle, Otto Binswanger, had been one of Nietzsche's physicians during the philosopher's final years was doubtless something Foucault also found intriguing).
      An English translation of Binswanger's most famous case - that of Ellen West - by Werner M. Mendel and Joseph Lyons, can be found in Existence: A New Dimension in Psychiatry and Psychology, ed. by Rollo May, Ernest Angel, and Henri F. Ellenberger (Basic Books, 1958).  
 
[4] Daseinsanalysis was first developed by Binswanger in the 1920s under the name phenomenological anthropology. His thinking at this time was heavily influenced by Husserl on the one hand and Freud on the other. His key idea was that human existence (as a specific mode of being) is open to any and all experience and that die Lebenswelt significantly shapes an individual's self (thus, if you want to change the way someone thinks, you must first alter their lived experience of the world).
      Binswanger also believed that mental health issues - including schizophrenia, melancholy, and mania - often stemmed from the paradox of men and women living alongside others whilst ultimately remaining alone. As he developed his thinking and continued his research, Binswanger began to increasingly relate his analysis to the work of Martin Heidegger and following publication of his book Grundformen und Erkenntnis menschlichen Daseins in 1942, he began using the term Daseinanalyse.
 
[5] Whether or not these activities constitute a practice of joy before death is something that you, dear reader, may decide upon. It might be noted that West also attempted to commit suicide on several occasions via more conventional methods; for example, she twice overdosed on pills, once threw herself in front of a car, and once attempted to jump from the window of her psychiatrist's office.
 
[6] As James Miller informs us, in her sessions with Binswanger Ellen West is "alert, amiable, and apparetly consumed by the desire to die". Thus, after consulting with two other psychiatrists - both of whom agree that her case is hopeless - Binswanger decides that she should be allowed home, even though he is aware that Ellen "will almost certainly kill herself".  
      See James Miller, The Passion of Michel Foucault, (Flamingo, 1994), pp. 74-75.
 
[7] George Steiner, Heidegger (Fontana Press, 1989), p. 99.
 
[8] Foucault quoted by James Miller in The Passion of Michel Foucault ... p. 75.

[9] Ibid.  
      Although Foucault didn't successfully commit suicide, he made a number of attempts to do so - including one in which he slashed his chest open with a knife - and always dreamed "'of violent death, of savage death, of horrified death' […] a death in which in its most inauthentic form is but the bloody and brutal interruption of life, yet in its authentic form, is the fulfilment of [man's] very existence". 
      For Foucault, then, as for Ellen West, suicide is the final desire or ultimate mode of imagining. Far from being a negation of the world and the self, it is rather "'a way of rediscovering the original moment in which I make myself world'". 
      Again, see Miller, The Passion of Michel Foucault ... pp. 78-79. 
 
[10] 'Ellen West', by Frank Bidart, was originally published in The Book of the Body (Farrar, Straus and Giroux, 1977). It can also be found in Bidart's In the Western Night: Collected Poems 1965-90 (Farrar, Straus and Giroux, 1991). 
 

4 Jan 2025

Zen Fascism on the London Underground (Don't Be Kind - Be Cruel!)

Toby Triumph and one of his posters produced for 
Transport for London's #TravelKind campaign 
 
 
I. 
 
Transport for London is the local government body with a multi-billion pound budget responsible for most aspects of the capital's transport network. 
 
The management board is appointed by the Chair (and Mayor of London) Sadiq Khan - or, as he doubtless now likes to be referred to, Sir Sadiq Khan [1]. It's the board's job to ensure Khan's transport strategy is implemented, whilst a Commisioner and several chief officers oversee day-to-day operations.
 
TfL likes to promote a caring corporate identity concerned with promoting and protecting various rights and ensuring that their customers (i.e., passengers) eat healthily (in 2019 Khan introduced restrictions on the advertising of foods and drinks high in fat, salt, or sugar). 
 
Some would describe this as a form of wokeness, but coming as I do from a punk background indebted to the Dead Kennedys, I prefer the term zen fascism [2].    
 
 
II. 

On 13 November 2017, TfL launched a new campaign - #TravelKind - which encouraged customers (i.e. passengers) on trains and buses to consider others and help make public transport a more enjoyable experience for everyone. 
 
The campaign is still running today and includes a series of posters designed by the illustrator Toby Triumph; a hippie originally from North Yorkshire, but who now spends his time betweeen London and New York. 
 
Working with the wonderful guys at the advertising agency VCCP [3], Triumph produced nine posters for use across the TfL network, all designed in his colourful 1960s and early '70s influenced style: smiley faces, peace signs, rainbows, etc.
 
Obviously, I'm not a fan: nor of TfL; nor of VCCP; nor of Sadiq Khan; nor of Toby Triumph; nor of hippie idealism; nor of corporate wokeism; nor of zen fascism. 
 
Indeed, one is almost tempted to channel the spirit of '68 and put a big black X through the injunction BE KIND on the poster that hangs at a nearby bus stop and replace it with the words SOYONS CRUELS! [4].   
 

Notes
 
[1] Khan was awarded a knighthood in the New Year Honours List (2025) in recognition of his achievements and extraordinary service. Whether he deserved such - and whether he should have accepted such (and thereby open himself up to the charge of gross hypocrisy) - is debatable.
 
[2] The phrase - Zen fascist - is used in the band's debut single 'California Über Alles' (Alternative Tentacles, 1979) and is one that I have incorporated in several posts on Torpedo the Ark. 
      What Jello Biafra says of Jerry Brown I think we can also say of Sadiq Khan; he too is a left-leaning moral authoritarian who enjoys exercising power just a little too much, whilst insisting that all Londoners wear a happy face and share his vision of a diverse multicultural, multi-ethnic, net-zero city. To play the song, click here.   
       
[3] Founded in 2002, VCCP describe themselves as a global integrated communications agency that creates innovative and exciting advertising designed to transform brands. Their founding principles include being happy and unprecious.
 
[4] Soyons cruels! was a slogan painted on the walls of the Sorbonne during the student uprisings in Paris, in May 1968. 
      This might seem an outrageous and offensive statement to many people today. However, if you remember your Nietzsche and Foucault - and know something of the politics of the period, infused with the ideas of the Situationists - then the injunction takes on a certain philosophical character.
      James Miller suggests some interesting readings of what being cruel might mean in practice in his essay 'Carnivals of Atrocity: Foucault, Nietzsche, Cruelty', in Political Theory, Vol. 18, No. 3 (Sage Publications, August 1990), pp. 470-491. Click here to access on JSTOR.
 
 

23 Aug 2014

Reconsidering the New Philosophers

BHL: king of the nouveaux philosophes 
 Photo: Corbis / Richard Melloul


Les nouveaux philosophes are members of a generation rather than a school or group of French thinkers who came to prominence in the 1970s and include Bernard Henri Lévy, André Glucksmann, and Pascal Bruckner. 

If they decisively rejected Marx on the one hand, they had little time for Nietzsche on the other - or, indeed, for any writers whose work all-too-conveniently lends itself to non-democratic systems of power and authority. Politically, they can thus be described as neo-liberals who unashamedly subscribe to the ideals of the Enlightenment.  

Perhaps not surprisingly, Deleuze hated them. Indeed, in a famous text dated 5 June 1977 and given away free in bookstores in an attempt to counter the growing popularity of the New Philosophers, he claimed their thought was entirely devoid of real ideas, even if full of puffed-up concepts and large egos: 

"This wholesale return to the author, to an empty and vain subject, as well as to gross conceptual stereotypes, represents a troubling reactionary development." [139-40]

The reason for their success, Deleuze explained, was because the New Philosophers were media-savvy and  understood how to market themselves and their works in a brilliant fashion. They effectively turned themselves into a brand and theory into a form of journalism or a series of soundbites perfect for TV. And this, says Deleuze, is conformist to the highest degree and marks a humiliating submission of thought.       

For Deleuze, the New Philosophers pissed on the events of May 68 and declared revolution - which is only another word for vital creativity - impossible; where once a little breeze was blowing, now there was a closed window:

"This is the total negation of politics and experiment ... the New Philosophers incarnate the disease that is trying to stifle all that. There is nothing alive in their work, but they will have fulfilled their function if they can occupy centre stage long enough to give whatever is creative the kiss of death." [147]

Deleuze has one more problem with the New Philosophers apart from the fact that they are TV-buffoons and their work is, in his view, shit. And that is that their humanism is overtly moral in tone and feeds off the suffering of others:

"What I find really disgusting is that the New Philosophers are writing a martyrology: the Gulag and the victims of history. They live off corpses. They have discovered the witness-function ... But there would never have been any victims if the victims had thought or spoken like our New Philosophers. The victims had to live and think in a totally different way to provide the material that so moves the New Philosophers, who weep in their name, think in their name, and give us moral lessons in their name. Those who risk their life most often think in terms of life, not death, not bitterness, and not morbid vanity." [144-45]

Now, to be fair, I think Deleuze makes some valid points here and raises important concerns. Whenever one sees BHL, for example, interviewed on TV looking like a playboy intellectual and pleading the case for humanitarian intervention whilst promoting his latest book, one does feel a little creeped out.

Having said that, however, I can't help feeling that the New Philosophers do have import and that André Glucksmann's book Les maitres penseurs (1977) posed a crucial question: How had he, like many others of his generation, been so prone to murderous political fantasies and what role did texts by some of the great thinkers of philosophy play in this? As James Miller points out:

"Whatever its other merits, Glucksmann's book was a trenchant piece of self-criticism. The totalitarian impulse, as he stressed, was not something external, to be smugly denounced as it appeared in others; rather, this impulse affected everyone. Each of us was 'dual', caught in the snares of power, and prey to the temptation to abuse it. And 'if one takes account of this internal division', he concluded, 'it becomes impossible to imagine a single, ultimate revolution ...'"

Obviously such thinking infuriated Deleuze, but Foucault, however, was far more sympathetic and in a review of Glucksmann's book he praised the younger thinker and conceded that the revolutionary ideal itself needed to be questioned - be it in its Marxist or Dionysian form. Without explicitly saying so, Foucault was ratifying Glucksmann's move away from Maoism towards liberalism and, by so doing, furthering a philosophical and political rift between himself and Deleuze.

This took intellectual courage and integrity on Foucault's part I think. And, also, looking back from where we find ourselves today, it was the right thing to have done and not just a brave and honest move. In the final years of his life, Foucault helped inspire a new style of political conduct and commitment (acute, but cautious). André Glucksmann rightly praised him after his death in 1984 for breaking with the terrorist radicalism of the theoretical avant-garde.

This is something we have all had to learn to do ...           


Notes

The interview with Gilles Deleuze from which I quote - 'On the New Philosophers (Plus a More General Problem)' - can be found in Two Regimes of Madness, ed. David Lapoujade, trans. Ames Hodges and Mike Taormina, (Semiotext(e), 2006). 

The passage from James Miller is taken from The Passion of Michel Foucault, (Flamingo, 1994), p. 296.