Have the German People Sacrificed Their Soul?

Elon Musk's Tesla Gigafactory (Grünheide)

 

 

Once upon a time, there was a land stretching north of the Rhine all the way to a far-off northern sea and which, south of the mighty river, was covered by a vast impenetrable forest of dark fir and pine-trees, home to deer and elk and wild-boar, to grey shadowy wolves and growling brown bears.

 

"This Hercynian forest created the greatest impression on the Roman imagination. No one knew how far it stretched. [...] A great silence pervaded everywhere, not broken by the dense whisper of the wind above." [1] 

 

And the blue-eyed people who lived in this ancient land worshipped the trees that were so strong in life and nailed the heads of their enemies to them. The sap-conscious trees provided them with shelter and strength and fed their souls. The enormous inhuman power of the forest was greater even than that of the Roman army. 

 

"The true German", writes D. H. Lawrence, "has something of the sap of trees in his veins even now: and a sort of pristine savageness [...] He is a tree-soul, and his gods are not human." [2]  

If that's the case, however, then how do we explain the fact that the German government has allowed construction of a Tesla gigafactory - i.e., a factory producing large numbers of batteries for electric vehicles - resulting in the destruction of over 500,000 trees? [3]

 

In the name of Net Zero and the so-called green economy, hat das deutsche Volk seine Seele geopfert?

Notes

 

[1] D. H. Lawrence, Movements in European History, ed. Philip Crumpton (Cambridge University Press, 1989), p. 45. 

[2] D. H. Lawrence, Fantasia of the Unconscious, ed. Bruce Steele (Cambridge University Press, 2004), p. 87.

[3] Satellite images of the site in the Berlin-Brandenberg area show that over 800 acres of forest were cut down between March 2020 and May 2023: that's almost three times the size of Kew Gardens. 

 

 

Happy to Live in a Soulless World

 Cover art for Jean Baudrillard's Carnival and Cannibal 

(Seagull Books, 2010)

According to Roger Sandall, Disneyfication is the fourth and final stage of what he terms designer tribalism; the way in which a primitive, often savage but nonetheless authentic culture is finally reduced to the level of puerility within the Romantic imagination.

I have no arguments with this, but what Sandall doesn't seem to recognise is that the West has ruthlessly subjected its own culture and history to a similar process - something that Baudrillard was at pains to point out in a late essay entitled Carnival and Cannibal. 

Thus, whilst it's true that the West has obliged non-Western peoples the world over to accept modernity and wear a smiley white face, so too do we figure in this grotesque masquerade, effectively having carnivalized and cannibalized ourselves long before exporting such practices globally. 

The fact is, modernity spares no one: it's a great collective spectacle and swindle wherein "multiracial civilization is merely a trompe-l'oeil universe in which all particularities of race, sex and culture can be said to have been falsified to the point of being parodies of themselves". 

In other words, Western civilization has not triumphed - or, if it has, it has triumphed at the cost of its own soul. Still, this may not be a bad thing ... a soulless future and a disenchanted world may yet be the most beautiful (in its indifference, its irony, and its seductive emptiness). 

And if you think you might prefer to live instead in a world of fundamental values and absolute certainty, of sincerity and sovereignty, authenticity and enthusiasm, then I suggest you pledge allegiance to the Islamic State.

Notes

Roger Sandall writes about Disneyfication and the other three stages of Noble Savagery in an Appendix to The Culture Cult, (Westview Press, 2001), pp. 179-81.

Baudrillard's essay, Carnival and Cannibal, is translated by Chris Turner, (Seagull Books, 2010). The line quoted from is on p. 9.