On Staying Safe and Living Dangerously in the Age of Coronavirus

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As a Nietzschean, I've been steeped in a courageous philosophy that celebrates the idea of living dangerously. And so, for me, there's nothing more insulting than being instructed by someone in a mask to stay safe.

Not only does such willingness to parrot the government's Covid-19 propaganda display their own cowardice and conformity, it offends the libertarian and Clash City Rocker in me who prefers to stay free above all else and affirm the fact that risk is a crucial component of being.

For those who might not be familiar with Section 283 in Book IV of The Gay Science where Nietzsche advances his idea of gefährlich leben, here are the crucial lines:

"For believe me: the secret for harvesting from existence the greatest fruitfulness and the greatest enjoyment is - to live dangerously! Build your cities on the slopes of Vesuvius! Send your ships into uncharted seas! Live at war with your peers and yourselves!"

Although, as Walter Kaufmann notes, this magnificent formulation is found only here in Nietzsche's works, it is one of his most memorable motifs and, arguably, is as central to his philosophy as major concepts such as the overman and eternal recurrence.   

I've no idea how long the coronavirus pandemic will last, but I'm hoping that the time will soon be past when people were content to live socially distanced from one another, hidden behind masks, and obsessed with health and safety to the detriment of everything else. 
 

See: Nietzsche, The Gay Science, trans. Walter Kaufmann, (Vintage Books, 1974), IV: 283, p. 228-29.

The Trapeze Artist

He flies through the air with the greatest of ease,

That daring old fraud on his flying trapeze.

Someone I know recently claimed that he was a trapeze artist in the circus of life and, at first, it amused me to think of him as an aerial acrobat performing amazing feats of daring; a kind of postmodern Jules Léotard.* 

Nietzsche would certainly approve: the way in which one extracts the sweetest pleasure from existence is, he says, to live dangerously and whilst Zarathustra doesn't - as far as I recall - encounter a trapeze artist on his wanderings, he does meet a tightrope walker, who is surely a kindred spirit.

And when the funambulist falls to the ground thanks to the malicious actions of a fool, Zarathustra comforts the dying man by allaying his fear of damnation and assuring him that he has lived a noble and worthwhile life: 'You made danger your vocation and there is nothing shameful in that.' 

The thing with my friend, however, is that he hasn't really made danger his vocation; for he performs at all times with a (financial) safety net provided by his parents. This protects him in case of a fall and, in so doing, removes mortal risk from the equation.

No one can deny his skills. But there's something a little disingenuous (almost deceitful, almost cowardly) about his performance. Real courage is always displayed in the face of real danger.

* Note: Jules Léotard (1838 - 1870) was the French acrobatic performer and aerialist who developed the art of trapeze. He also popularized the one-piece outfit that now bears his name and inspired the song 'The Daring Young Man on the Flying Trapeze' (1867), written and sung by the popular Victorian music hall entertainer George Leybourne (aka Champagne Charlie).  

See: Nietzsche, The Gay Science, Book IV, Section 283 and Thus Spoke Zarathustra, Prologue, Section 6.