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King Charles waves to the crowds and the cameras from the balcony
of Buckingham Palace following his coronation (6 May 2023)
knowing full-well that beneath the clothes he remains allzumenschliche
"Look at the waxwork head - the face, with the expression of a melon - the projecting ears ..."
I.
The recent Coronation of King Charles III was a spectacular demonstration of how
clothes remain a crucial means of signifying wealth, power, and social
distinction.
For all his desire to modernise the royal family, there was never any possibility that Charles would adopt a more casual (less regal) look (even if he did swap breeches for a pair of trousers).
And so:
(i) His Majesty rocked up at Westminster Abbey wearing a robe of red velvet and an ermine cape ...
(ii) Following his annointing, Charles put on a tunic similar to a priest's vestment in order to symbolise the divine nature of monarchy ...
(iii) When the jewel-encrusted St. Edward's Crown was placed upon his weary head, he wore a gold-sleeved robe, embroidered with flowers, beneath the Imperial Mantle ...
(iv) Finally, at the close of the ceremony, the King changed into a newly-made purple satin Coronation Tunic, trimmed with gold artillery lace, and George VI's grand purple silk velvet Robe of Estate.
The point is: there was nothing subtle about this ostentatious display and if clothes maketh the man, they also maketh the monarch - something noted by Mark Twain in his short story 'The Czar's Soliloquy' [1] ...
II.
After taking his morning bath, it was the Russian emperor's habit to look at himself in a large mirror and reflect upon his own physical limitations: "Naked, what am I? A libel on the image of God!"
He realises that what invokes awe and reverence in his people are his magnificent robes: "Without my clothes I should be as destitute of authority as any other naked person."
In other words, without his fine robes, his magnificent crown, his titles, etc., he is - like King Charles - an old man without substance; "a cipher, a vacancy, a nobody, a nothing".
It is the trappings of kingship that conceal his essential emptiness and which "move a nation to fall on its knees".
Notes
[1] Mark Twain, 'The Czar's Soliloquy', North American Review, Issue 580 (March 1905), pp. 321-26: click here to read on JSTOR. Lines quoted from the story are on pp. 321-322.
Note that although the saying clothes make the man is often associated with Mark Twain, it didn't originate with him. In fact, it was already popular during the Middle Ages and can be found, for example, in the work of the great Dutch philosopher and theologian, Erasmus, who recorded it in his collection of Greek and Latin proverbs as vestis virum facit [Adagia: 3.1. 60].
