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Horsehead (SA/2023)
Horses' heads vary hugely in their size, shape, and character, which partly explains why they have long fascinated artists ...
One thinks, for example, of the carved marble horse head by the Ancient Greek sculptor Pheidias; ears flattened, jaw gaping, nostrils flaring, eyes bulging, it's both beautiful and terrifying at the same time. Believed to date to around 438-432 BC, it's said to be one of the noble nags that drew the chariot of the moon goddess Selene [1].
One thinks also of the far more recent work by Nic Fiddian-Green; a giant bronze sculpture of a horse's head entitled Still Water (2011). Located amidst the endless noise and movement of traffic in central London, it provides a pleasing contrast in its stillness and silence [2].
But, looking at the powerful image above by Stephen Alexander, primarily makes me think of the serpentine aspect of horses when they lower their "strangely naked equine heads" [3], press their ears back, and extend their long, muscular necks, moving the latter from side-to-side in an aggressive gesture known as snaking [4].
Notes
[1] Part of the Elgin Marbles, this sculpture - commonly known as the Selene Horse - can be found in the British Museum: click here for details.
[2] This free-standing work is 33ft high and weighs in at an impressive 20 tonnes. Originally installed at Marble Arch in 2011, it was relocated to Achille’s Way, near Hyde Park Corner, in May 2021. Fiddian-Green, is a British sculptor who specialises in making lifelike horses' heads, having been inspired whilst a student at Chelsea College of Arts by the Selene Horse. Click here to visit his website.
[3] D. H. Lawrence, St. Mawr, in St. Mawr and Other Stories, ed. Bran Finney, (Cambridge University Press, 1983), p. 35.
[4] Snaking is a common form of herding behavior, primarily displayed by stallions in the wild, keen to assert their dominance over mares. However, it has also been observed in domesticated horses, including geldings (castrated stallions).
