In wishing for a happy new year I am hoping like Barthes for the absolutely new which disturbs and brings bliss; not for the mere stereotype of novelty.
The new is an escape route from the present into the future and a necessary precondition of jouissance.
The stereotype that reigns triumphant within contemporary culture, is simply a form of humiliated repetition in which superficial forms are varied, but their meaning remains fixed and ever the same. In this manner, we are denied any chance of escape; robbed even of the possibility of dying.
For me, Auld Lang Syne, sung at the stroke of midnight each and every new year's eve without enthusiasm or joy, is a form of curse via which we are once more burdened with bad conscience and memory of the past thereby undermining our resolve, shattering our dreams, denying our orgasm.
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