I feel her, I see her, the sun caught in her raven hair
is blazing in me out of all control!
It would not be unreasonable to argue that the pornographic imagination is founded upon, circulates, and sustains a wide range of racial and sexual stereotypes, including that of the Hot Gypsy Girl ...
With her dusky complexion, fiery dark eyes and loose black hair, wearing a low-waisted long skirt split to the thigh that she hitches up flamenco style to dance barefoot in public pieced with a low-cut, midriff-baring blouse that invites more than just navel-gazing, she is not only exotic in her sultry good looks and colourful appearance, but animal-like in her wild and overt sexuality.
Many men desire her, but most would be too scared to approach her. For like the true temptress, she spells trouble and threatens danger as well as offering the promise of unbridled passion; the Hot Gypsy Girl knows how to use a knife - and I don't mean in table-mannered conjunction with a fork.
This porno-romantic construction of free-spirited and strong-willed femininity that is found in much of the art, music, and literature of the 19th century, stands in direct opposition to the Victorian ideal of buttoned-up womanhood that held sway across Europe at the time; white-skinned, fair-haired, mild-mannered, kind-hearted, chaste and - above all - submissive to the male authority of their husbands and fathers.
Puritanical commentators who dislike stereotypes, will point out that there's very little empirical evidence to support this fantasy of the Hot Gypsy Girl. But, even if not based in actual fact, she's a real figure nonetheless with her own alluring truth and there are numerous examples to be found within modern popular culture.
Two names, however, immediately present themselves: Esmeralda and Carmen ...
Notes
The image used above is of the Gypsy assassin Mejai, from the Franco-Belgian comic book series Le Scorpion, written by Stephen Desberg and illustrated by Enrico Marini. It's taken from the main page of the Hot Gypsy Woman entry on TV Tropes: click here.
Those interested in reading further on this subject should see Ian Hancock, 'The "Gypsy" Stereotype and the Sexualization of Romani women', in Gypsies in Literature and Culture, ed. V. Glajar and D. Radulescu, (Palgrove-Macmillan, 2007), pp. 181-91. This essay can also be found on the RADOC site: click here.
To read part two of this post - Esmeralda: Trope Codifier and Fraud - click here.
To read part three of this post - On Carmen and Her Seduction of a Famous German Philosopher - click here.
To add to the further reading section, I'd like to suggest Isabel Fonesca's "Bury Me Standing" which is relatively modern, especially when it comes to a realistic portrayal of the Roma. It's a great read indeed !
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