Michel Houellebecq is right: We're a long way from Wuthering Heights.
Our obsession with love and the forming of human relationships is today evidence only of a certain loyalty to the past. All our feelings are completely artificial and our nights are "no longer shaken by terror or ecstasy". Sex is a form of nostalgia.
After the naked excess of the orgy - which was all about bodies and organs and gross acts of penetration - there comes the masked ball in which desire for the flesh has been replaced by a passion for fashion and dressing-up has become more exciting than stripping-off. We can witness this in our popular culture and I would suggest that Carrie Bradshaw tells us a good deal more about ourselves today than Cathy Earnshaw.
For whilst her significantly older friend, Samantha, still faithfully subscribes to the myth of sex and sexual liberation, Carrie - despite the residual romanticism of her character - is keenly aware that a finely crafted pair of shoes is likely to last longer and bring more satisfaction than a relationship with a man.
Ultimately, even Mr Big can't compete against Manolo Blahnik and you can't help wondering whether Carrie didn't marry the former simply so she might wear the Something Blue satin shoes designed by the latter ...?
Ultimately, even Mr Big can't compete against Manolo Blahnik and you can't help wondering whether Carrie didn't marry the former simply so she might wear the Something Blue satin shoes designed by the latter ...?
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